I know dozens of photographers over fifty years old who never got their due and are beginning to realize that they may never get it. After three or four or five decades of work, they begin to wonder if, in the current public feasting on photography, there are any scraps for them. […]
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The dialogue which currently is most bitter but which promises to be most fruitful is that which engages the more specific question of how public monies for the arts should be allocated. Often foolish, dependably acrimonious, the interchange on this subject at least addresses matters more substantive. The hottest area of this debate — hottest, perhaps, because those under fire are those whose job is arguing in public over issues of art — is the Art Critics Fellowship program of the NEA. […] |
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