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Willingly or no, whether or not they consider themselves “photographers” or “artists” or whatever, these individuals and many others are exploring the same field of ideas. That field of ideas is built into and springs from the medium of photography itself; it has a history and tradition of its own which is operative on many levels of our culture. […]
“I was snookered into photography to begin with — captured by certain aspects of the medium — and it’s simply been a matter of deciding what I could do within that context. The whole reason I’m in this curatorship is Beaumont [Newhall].” […]
What we’re offered instead is merely a set of pictures John Szarkowski likes — a comparative bagatelle … Such a misuse of power, prestige and influence is an effective if lamentable indication of why the Modern’s credibility and influence on the medium have waned so dramatically during the last decade of his tenure. […]
Does it strike anyone else but me as strange that historians will go scrabbling around in the leavings of defunct, reticent, privileged amateurs like Alice Austen and Marjorie Content rather than grapple with the significant, published output of a living, breathing photographer who has functioned independently from the beginning and, without family wealth or husband to rely on, found ways of supporting herself and her work outside the academy and the grants system? […]
The first thing I want from you, as the person in charge of materials that you hope to place in an archive or as the person managing an archive, is to to do no harm — to think long and hard before you throw anything away. And, preferably, to consult with people who understand and work with archives before you discard anything. Because you can’t possibly know, or anticipate, what I will find important when I get there. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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