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Carl Chiarenza (1935-2026) A Farewell

Carl Chiarenza’s images, though nominally two-dimensional, suggest other things, sometimes beings but more often scapes — deep, complex, convoluted spaces through which the viewer’s eye seeks to wander, drawn almost irresistibly into the intricate folds of this purely illusory terrain. […]

Nathan Lyons, SPE: The Formative Years

In the half-century of its existence SPE transformed itself from its original form as an unofficial, photo-specific splinter division of the College Art Association into something akin to photography’s equivalent of the Audubon Society: $20 plus an interest in birds gets you in — and they’ll waive the interest in birds. […]

Susan Sontag: Off Photography (2)

One of the book’s most undermining weaknesses and chief disappointments, beyond its lack of foundation in photography’s morphology and hermeneutics, is its scanting of applied exegetics — the consistent refusal to address bodies of work and single images, the primary works in the medium. […]