Michals embraced the theatrical frame and the directorial mode; for him the viewfinder is a proscenium, models are dramatis personae. Another benchmark of his work is its exploration of the forbidden. A third is his insistence on stretching the boundaries of what a photograph is allowed to be. A fourth is the profoundly sacral essence of his seemingly profane and deeply disturbing vision. […]
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June 16th, 2026 | Tags: Arthur Ollman, Cindy Sherman, International Center of Photography, Joel-Peter Witkin, Lee Witkin, Museum of Photographic Arts | Category: Exhibition Reviews, From the Archives, Photo History | Leave a comment [Toward the tail end of my decade as the photography critic for the New York Observer I had the opportunity to review the Museum of Modern Art’s celebration of Cindy Sherman’s “Untitled Film Stills” series, a complete set of which they had recently acquired and were showing for the first time, in an exhibition sponsored […] July 21st, 2017 | Tags: Cindy Sherman, Jeffrey Hogrefe, Museum of Modern Art, Peter Galassi | Category: Analog Photography, Exhibition Reviews, From the Archives | 4 comments |
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