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Harry Callahan Interview 1 (1971)

I always felt you can’t make that many good pictures a year. A friend of mine went to Europe for about six months; he came back and he said, “Let’s see what you’ve been doing.” I said, “I’ve only got one picture that’s any good.” And he looked at it and said, “Well, it’s worth a year’s work.” […]

The Southern Ethic (1975)

Take them for what they are: images of the South by people who live there. Some of these photographers are in transition, but then so is the South itself. Some of them will leave, and their work will be molded by other places. But some of them will stay, to put down roots here, to nourish, and be nourished by, whatever the South becomes. […]

Peter Bunnell (1937-2021): A Farewell

“I was snookered into photography to begin with — captured by certain aspects of the medium — and it’s simply been a matter of deciding what I could do within that context. The whole reason I’m in this curatorship is Beaumont [Newhall].” […]

Lee Witkin Interview 3 (1981)

When we started out [in 1968], there was a hundred and thirty years of material by people who had something to say whom no one had listened to. Part of the excitement of photography is that hundred and forty years. I think if you isolate the last five years of photography and look at what’s been done, it’s not that much more exciting than what’s been done in painting or any other field. […]

Lee Witkin Interview 2 (1981)

You don’t have to deal with people you don’t admire. I have severed a lot of relationships with people whose behavior patterns and philosophies were not mine. I’m not saying that they were criminal, or wrong, or even unethical; they were just not on my ethical wavelength, and I could not deal with that. […]