At this stage the gallery is like an enormous, endless monster — it devours all of my time, and there’s no way I can do all of those things I just mentioned without having a bunch of people help me. That in itself triggers a whole new series of problems. […]
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@adcoleman@hcommons.social
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For all its good intentions, “Harlem On My Mind” is so predictable and perfect a statement of the white-liberal attitude as to be a grotesquely funny self-parody. […] Errol Sawyer’s mosaic city, built out of dozens of metropolitan fragments from various locales, does not resolve as a bleak or grim vision of the human condition. It feels alive, reasonably congenial, never malevolent, even inviting — evoking not only the loneliness that can lurk within urban existence but also that sense of solitude, welcome for some, paradoxically enhanced by the proximity of millions of other souls. […] Photographs made of people on the street or in other public places without the consent of the subjects raise questions of ethics as well as aesthetics. What rights do we have as citizens over the control of representation of ourselves, and what rights do photographers have in regard to making images in public situations? […] |
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Private Lives in Public Places (2)
How many of the images we see in the mass media, in textbooks, and in other vehicles, are such spurious, falsified “factoids?” Does anyone in the field consider the consequences to the subjects of such images generated by such misuse? And, on a larger scale, the consequences to the citizenry when its informational network is thus compromised and corrupted? […]