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Bruce Davidson: East 100th Street (1970)

It is little short of scandalous that the Museum of Modern Art has never given a one-man show to a non-white photographer, for there are many at least as talented as some of those photographers the museum has chosen to show over the years. […]

Three Weeks in Bookworm Heaven (2)

Grove Press publisher Barney Rosset and his designer stayed out of Frank’s way, simply following the layout of Frank’s maquette for The Americans, letting the pictures, individually and collectively, speak for themselves. That this edition failed commercially doesn’t really matter; through it Frank’s visionary project made its way into the world, and into cultural consciousness, on its own terms. […]

Alternate History: Robert Capa on D-Day (38)

On June 6, 2018, the aptly named website Artsy.net published “Photographer Robert Capa Risked It All to Capture D-Day — then Nearly All His Images Were Lost,” by Haley Weiss, under its “Visual Culture” rubric. It consists, in its entirety, of a rehash of the Capa D-Day myth, simply rewritten from one or more of the standard versions that our research project has thoroughly refuted. […]

New Documents, Revisited (b)

Collectively, Arbus, Friedlander, and Winogrand revised the ways in which photographers used their cameras, which changed the look of the resulting photographs, and that they made the photographer’s participatory role in the photographic event a foregrounded given, which transformed both the behavior of photographers and the way we interpret their work. […]

New Documents, Revisited (a)

This non-political, anti-theoretical posture denies categorically and consistently that such photographs are in any way about their literal subject matter, insisting instead that photographs are entirely about themselves and in no way concerned with either the photographer’s inner life or whatever took place in front of the lens at the moment of exposure. As a stance, it became not just widespread but almost mandatory among practitioners of this genre of photography. […]