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Guest Post 31: Robert Dannin on Eugene Richards’s “the day I was born” (b)

The tradition of people’s history continues in the work of Eugene Richards who, by reviving a cold case of racial oppression, delivers an important perspective on how little and how much has changed in a half-century of struggle against the forces of dispossession. […]

Private Lives in Public Places (2)

How many of the images we see in the mass media, in textbooks, and in other vehicles, are such spurious, falsified “factoids?” Does anyone in the field consider the consequences to the subjects of such images generated by such misuse? And, on a larger scale, the consequences to the citizenry when its informational network is thus compromised and corrupted? […]

Bruce Davidson: East 100th Street (1970)

It is little short of scandalous that the Museum of Modern Art has never given a one-man show to a non-white photographer, for there are many at least as talented as some of those photographers the museum has chosen to show over the years. […]

A. D. Coleman on Photo Books, 1978 (a)

If photography books are to become really viable as products, without meaning as “merchandise,” if they’re to be able to be self-sustaining as a produced artifact, they’ve got to go beyond the market in photography. […]

Alternate History: Robert Capa on D-Day (36)

(UPDATE) Picture editor John G. Morris, for decades the most energetic public promulgator of the myth surrounding Robert Capa’s D-Day photography, died on July 28, 2017 while hospitalized in Paris. Born in 1916, he was 100 years old. […]