All of this contributes to my knowledge base and experience in ways that will surely manifest themselves in subsequent work. This is one of the intangible benefits that an opportunity such as the Teti Fellowship provides to visiting scholars like myself. Yet the future of this remarkable collection appears uncertain, at least in the short term. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
The Waters of Our Time’s imitation of its source positions it as a wannabe companion piece, an aspiring equal, intended to stand beside The Sweet Flypaper of Life and get compared to it. Arrogant, to say the least, and an unwise wager to boot, because it simply doesn’t resonate (for me, in any case) in the way that the DeCarava-Hughes classic did and still does. […] To give just a hint of the collection’s scope, of the key photobooks listed in The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, edited by Andrew Roth, the Teti Collection has 50. That alone makes it a destination resource for researchers. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
Autumn Leaves: Bits and Pieces
Free-market capitalist economies not only allow but encourage and, frequently, reward even the most disruptive technological innovations. Indeed, the very term “disruptive” has become an honorific and a term of uncritical approval. Yet the events of recent years have offered up a veritable bouquet of expressions of regret from pioneers of aspects of the internet and online life. […]