For all its good intentions, “Harlem On My Mind” is so predictable and perfect a statement of the white-liberal attitude as to be a grotesquely funny self-parody. […]
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It is impossible to discuss the “problems of photography criticism” as though they were clearly formulated and widely agreed-upon issues, consciously faced by a diversity of critics familiar with each other’s relative positions, and known to an audience engaged in active observation of critical interactions and the concepts emerging therefrom. This is very far indeed from being the case. […] Tools cannot and should not ever be considered neutral. Whether tangible (a hammer and nails) or intangible (any given language), tools encode assumptions and biases, some unconscious and some not, built into them by those who invent and refine them. Those assumptions and biases are sometimes idiosyncratic but almost always cultural. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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