We agreed to meet Morris for lunch once, him and his “bodyguards.” His issue was in fact our lack of “tact” in the way we cast light on the “Falling Soldier” story. He listened to our arguments. I must say I got a little frustrated, saying that we would fight to the end … my producer was wiser, and conceded. […]
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Cornell Capa’s intervention, as well as that of ICP’s lawyers, was rather brutal. They sent us threatening injunctions. We soon understood they would do whatever it took to stop us from making the movie. […] “Palante” sets a high standard for activist photojournalism, and shows the way. It will take courageous, committed photographers to follow Abramson’s lead, but the challenge implicit in its existence is one which we have every right to insist be met from now on. […] The dialogue which currently is most bitter but which promises to be most fruitful is that which engages the more specific question of how public monies for the arts should be allocated. Often foolish, dependably acrimonious, the interchange on this subject at least addresses matters more substantive. The hottest area of this debate — hottest, perhaps, because those under fire are those whose job is arguing in public over issues of art — is the Art Critics Fellowship program of the NEA. […] |
 SPJ Research Award 2014 |
The Image of the Prophet
We kuffar who stand outside the faith do those moderate Muslims no service when, like Ben Affleck and other well-meaning white liberals, we parrot the lie that ISIS/ISIL is not an accurate reflection of Islam, when in fact it represents a fundamentalist form of the faith practiced by people who have studied the Qur’an and the hadiths, and who follow to the letter procedures and plans approved by high-ranking religious figures. It may not be the whole picture, but it’s unquestionably part of it. […]