One of the book’s most undermining weaknesses and chief disappointments, beyond its lack of foundation in photography’s morphology and hermeneutics, is its scanting of applied exegetics — the consistent refusal to address bodies of work and single images, the primary works in the medium. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
On March 20, 2010, the fourth exhibition that I’ve curated for See+ Artspace/Gallery opened in Beijing. This two-person show comprises cross-sections of the works of Wynn Bullock and Harold Feinstein — 25 images by each photographer on the walls, with an additional 25 by each in the accompanying catalogues. It will run through May 19. While they differ in many fundamental ways, Bullock and Feinstein also have numerous affinities. These reverberations made it more than whimsical to pair them in this exhibition. . . . […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
