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Ends and Odds Again and Again

Given that the Museum of Modern Art has studiously ignored me and my critique of its policies and practices for most of the past half-century, I’ve found it both surprising and charming to have my name and work crop up in two separate MoMA projects over the past year. […]

Alternate History: Robert Capa on D-Day (35)

By energetically promulgating the Capa D-Day myth, disregarding contrary evidence in its own holdings, obstructing independent research about Capa, and falsely claiming not to possess key archival materials that it has held for years (among other sins), ICP has besmirched its reputation as a responsible repository and a credible research institution. […]

Alternate History: Robert Capa on D-Day (34)

The myth of Robert Capa’s D-Day, as publicly initiated by Capa himself, constitutes a classic example of the form of fraud referred to disdainfully by those in the military as “stolen valor.” […]

Guest Post 24: Charles Herrick on Capa’s D-Day (f)

[Editor’s Note: Combat veteran and amateur military historian Charles Herrick’s crucial earlier posts in this series corrected 70 years’ worth of miscaptioning of one of Robert Capa’s ten D-Day photographs from Omaha Beach, and pinpointed the exact location and approximate time at which he landed on the Easy Red sector with a later wave.

In […]

Guest Post 24: Charles Herrick on Capa’s D-Day (e)

It appears that Capa was taking a picture in the general direction of LCI(L)-94 at about the same time someone on that LCI was taking a picture while pointing his lens toward Capa. Comparing the two images, we find the same obstacles are visible in both. […]