\u00a0<\/b><\/p>\n
Photographs of Sexy Men:\u00a0 What Turns Heterosexual Women On?<\/b><\/p>\n
Cupido<\/em>, the beautiful Norwegian erotic magazine I talk about so often, has done what I believe is the first survey asking predominantly heterosexual women what they like about erotic photos of men.\u00a0 The answers provide some interesting food for thought on what women — or at least the Norwegian and Danish women who read Cupido<\/em> — like and don\u2019t like in sexy photos of men.<\/p>\n One of the most wonderful things about Cupdio<\/em> — aside from the fact that it\u2019s artistic, intelligent, and both sexually and socially progressive — is that it features erotic photos of individual women, individual men, male-female couples, female-female couples, and male-male couples, all in one magazine.\u00a0 The only U.S. sex publication I know of that dares to print erotic male nudes alongside erotic images of women and couples is the one you\u2019re looking at.\u00a0 (You may applaud now….)\u00a0 My friends at Cupido<\/em> tell me that Norwegian sexual culture is really no more progressive than what we have in the U.S., but at least when it comes to homophobia, the Norwegians seem to be well ahead of us.<\/p>\n * * * * *<\/p>\n Beauty, Thou Art Woman, and Woman Alone<\/b><\/p>\n The conventional wisdom among magazine publishers in this country is that Good Old American homophobia is just too strong to allow men to look at sexy pictures of other men without getting some nervous sweat under the collar, unless of course that man happens to be being sexual with a woman or two at the time.\u00a0 The sexual mythology seems to be that if a red-blooded American male looks at another man\u2019s naked body and acknowledges the man as attractive or sexy, he might\/must be just a tad gay, which most American men seem to feel is the worst thing that could possibly happen to a guy.<\/p>\n The problem with this basically homophobic reaction is that it deprives men of being able to acknowledge and admire how beautiful and sexy other<\/em> men\u2019s bodies often are, which in turn deprives men of acknowledging or admiring how beautiful and sexy their own<\/em> bodies can be.\u00a0 Bodily beauty, sexiness, and sensuality become the exclusive domain of women — of the Other — leaving men woefully dependent on women for the opportunity to vicariously<\/em> experience those aspects of being alive.\u00a0 I daresay that many of the men who worship regularly at Temple O\u2019Farrell, New Century, or Kit Kat are worshipping the notion of Beauty as much as they are the notion of Woman.\u00a0 But why experience beauty (only) vicariously, when it\u2019s possible to have it (also) as one\u2019s own?\u00a0 Woman may inevitably, essentially, and irrevocably be Other to men; for Beauty to be Other is not inevitable at all.<\/p>\n Women, unafflicted with the virulent level of homophobia that infects most heterosexual men in our once-frontier culture, don\u2019t have to suffer this particular prohibition about appreciating reflections of themselves as both sexy and beautiful.\u00a0 Women can enjoy looking at other women, can find other women beautiful and sexy, can allow themselves to be turned on by seeing other women as erotic, without this simple appreciation bringing into question their basic sexual orientation.\u00a0 Women are able to appreciate the women in porn videos, magazines, strip clubs and the like — even masturbate to them — without interpreting their interest or fascination as some kind of profound statement about their sexual natures.\u00a0 Can you imagine men doing anything of the same kind?\u00a0 Guess not.<\/p>\n * * * * *<\/p>\n The Male Nude in U.S. Photography, 1978<\/b><\/p>\n In June, 1978, the Marcuse Pfeifer Gallery in New York put on an exhibition of photography, titled simply The Male Nude<\/em>. \u00a0The show was a beautiful collection of 140 photographs by 86 male and female photographers, spanning a full century of erotic, sensual, and simply aesthetic male nudes, including work by such well-known photographers as Imogen Cunningham, Edward Weston, George Platt Lynes, Berenice Abbott, and Minor White, as well as work by the then-barely-recognized Robert Mapplethorpe, Jacqueline Livingston, and Sally Mann. \u00a0The Male Nude<\/em> was well-attended and appreciated by the public, but universally trounced by the supposedly sophisticated and entirely male coterie of New York art critics.\u00a0 The show had breached the homophobic divide, demanding of its viewers that they acknowledge or at least get nose to nose with the unquestionable beauty and sensuality of the male body.<\/p>\n “When is a nude not a nude?\u00a0 When it is male,” intoned a horrified John Ashbury in New York Magazine<\/em>, reviewing the show.\u00a0 “Nude women seem to be in their natural state; men, for some reason, merely look undressed.”\u00a0 For some reason indeed!<\/p>\n “The show is hopeless,” cried Ben Lifson in the supposedly hip and avant-garde Village Voice<\/em>.\u00a0 “It\u2019s all Priapus and no garden.\u00a0 A man\u2019s body doesn\u2019t lend itself to abstraction like a woman\u2019s,” according to Lifson, because “everyday experience doesn\u2019t readily proffer… men with phallic symbols between their legs.”\u00a0 (Take your hand off your phallic symbol, Johnny….)<\/p>\n Gene Thornton of The New York Times<\/em> went so far as to say that “there is something to be said for pre-World War I prudery about the unclothed human body… when the unclothed human body is a man.”\u00a0 Speaking of the “old-fashioned belief that men have a special responsibility for the protection and support of women and children, in return for which women and children owed them submission,” Thornton notes that “now that this belief is being attacked by certain working women and their spokesmen [sic], men [in addition to women] are being presented as sexual objects.”\u00a0 This bothers Thornton no end.\u00a0 “There is something disconcerting about the sight of a man\u2019s naked body being presented primarily as a sexual object,” he pronounces, decrying as simultaneously “unpleasantly aggressive” and “passive [and] introverted” the male sexuality he saw in the show\u2019s photographs.<\/p>\n There it is, plain as day, spoken with a naive self-righteousness that would be unheard of today.\u00a0 Presenting women as objects of desire is to be lauded, in art and porn circles alike, but switch the gender shoe to the other foot and you might as well be performing a crime against nature.<\/p>\n It took the one woman reviewer of the time, Vicki Goldberg of The Saturday Review<\/em>, to state the obvious.\u00a0 The male critics, she noted, were having trouble with the show because they were lost in their own “widespread fear of passivity, femininity, [and] homosexuality.”\u00a0 As a result of homophobic perspectives such as these, she points out, “the male nude is essentially homeless.\u00a0 There is neither reverence nor fondness for it, nor even much public acceptance.”\u00a0 Striking a positive note, she adds that it\u2019s possible that “women\u2019s frank appreciation [of the male nude] might be rearranging matters.\u00a0 It would be splendid, and ironic,” she concludes, “if women were the ones to restore men\u2019s sense of the beauty and dignity of their bodies.”<\/p>\n * * * * *<\/p>\n The Male Nude in U.S. Photography, 1986<\/b><\/p>\n Eight years later photographer Jeff Dunas inaugurated publication of a new, innovative magazine of imaginative erotic photography, Collectors Editions Review<\/em>.\u00a0 (The name changed, a short time later, to Collectors Photography<\/em>.)\u00a0 While the work that appeared in that magazine ranged from historical to contemporary, included the work of male and female photographers from all over the world, and portrayed a broad spectrum of styles, attitudes, and content, Dunas made it an absolute rule to publish photos of women exclusively.\u00a0 He even subtitled the magazine “The World\u2019s Finest Photography of Women,” freeing potential readers and subscribers from any fear that they might stumble on some delicious naked man while they were in a state of semi-arousal from looking at the highly crafted images of beautiful women.<\/p>\n By this time, the feminist cultural revolution had spread far beyond Gene Thornton\u2019s fantasy of “certain working women and their spokesmen,” and images of men as objects of erotic desire were not as revolutionary as they had been in 1978.\u00a0 In no time at all, Collectors Photography found itself in the midst of an ongoing debate about the male nude, as male and female readers alike wrote letters questioning why the magazine confined itself to images of half the human race.<\/p>\n “Why do you limit the magazine to photography of the female form rather than photography of the human form?” wrote Del Richardson of La Jolla.\u00a0 Kenneth Beaudrie of Denver agreed.\u00a0 “As a photographer, I would find your magazine more useful if you would be more versatile in your subject matter,” he said.\u00a0 “Why not publish nudes of either sex using only the criteria that the photographs demonstrate an example of artistic photography of the nude?”<\/p>\n Melanie Suggs of Los Angeles elaborated further.\u00a0 “I think the male body is a beautiful object and worthy of the artistic attention that is usually focused on the female form.\u00a0 Beautiful images of males deserve to be seen too.\u00a0 Male figure photography is almost a \u2018new frontier,\u2019 and it seems only logical that a magazine of your caliber would want to cover the strides being made in that emerging field.”\u00a0 Eldon Mitchell of Phoenix (“I love your magazine; so does my wife”) chimed in, “I have always felt the male nude form to be just as photographically erotic [as the female].\u00a0 I don\u2019t think women should get all the credit for stimulating eroticism.”\u00a0 “Male nudes should be featured too,” wrote Robert Thorson of Washington.\u00a0 “I don\u2019t take them, and really don\u2019t care to look at them, but to be totally fair to women photographers and readers, as well as my lady, you should include more of them.”<\/p>\n Letters taking the other side of the issue were somewhat more vituperative.\u00a0 “On the subject of male nudes:\u00a0 Heck no, never!” wrote Hank Small of San Carlos.\u00a0 “It\u2019s about women; the beautiful women of the world.\u00a0 Count me out if you\u2019re going to put male nudes in Collectors Photography<\/em>.\u00a0 I subscribed because the magazine was dedicated to the beauty of the female form.\u00a0 Let\u2019s go forward with women, not men.”<\/p>\n “The male form may well have its place in art,” wrote Dan Brooks of Washington, “but there is no place for male nudes [in this magazine].\u00a0 That\u2019s when I and a lot of other subscribers cancel out.”\u00a0 “Male nudity should have its own magazine and not ruin this fine one,” agreed David Gaziano of Massachusetts.<\/p>\n After eight years, some signs of change, cracks in the monolith.\u00a0 Voices of women speaking of their own visual desires, and voices of men somewhat little less fear than before.\u00a0 Still, the roots of something as fundamental as homophobia run deep, says conventional publishing wisdom.\u00a0 Dunas played it safe and kept his magazine focused on lithe young women.\u00a0 After three years Collectors Photography<\/em> folded.<\/p>\n * * * * *<\/p>\n Meanwhile, Back in Norway…<\/b><\/p>\n Maybe things are different in Norway and Denmark, or maybe Cupido<\/em> is just more willing to push the homophobic envelope more than any U.S. publisher has been willing to do.\u00a0 Whatever the reason, the editors of Cupido<\/em> take pride in combining erotic appreciation of men, women, and couples of all gender combinations in a single magazine.\u00a0 From its inception ten years ago (at the same time as Collectors Photography<\/em>), Cupido<\/em> has sought an audience that includes men and women of all sexual persuasions.\u00a0 “We take great pleasure,” editor\/publisher Terje Gammelsrud has said to me, “in knowing that when a man or a woman buys Cupido<\/em> no one can tell whether they are buying the magazine to look at the men or to look at the women.”<\/p>\n Recently Cupido<\/em> went on a campaign to make the magazine more responsive to the tastes and appetites of its heterosexual women readers.\u00a0 What did these women want from erotic photographs of men?\u00a0 Discussions among the staff gave some insight about what these particular women liked and disliked about various photographs, but when it came to the public at large, Cupido<\/em> staffers realized that they knew very little about what the details of what women wanted.\u00a0 They decided to take the direct approach:\u00a0 When in doubt, ask.<\/p>\n In late 1994, the magazine printed 17 sexy photos of men, taken by male and female photographers from the U.S., Denmark, France, the Netherlands, England, and Spain.\u00a0 Cupido<\/em> asked its women readers to pick their favorite photos, to comment on what made particular photos sexy for them, even to editorialize on how the individual photos could be better than they were.\u00a0 The basic question was:\u00a0 “What do you demand from a good erotic photo of a man?”<\/p>\n “Cupido<\/em>\u2019s women are strict and demanding in their criteria,” publisher Terje Gammelsrud says of the responses received from women aged 17 to 53, “but their judgment is surprisingly unanimous.”\u00a0 First and foremost, he notes, the women say “the men should be turned on, thank you very much!\u00a0 It is decisive that the women believe in the man\u2019s excitement and that they feel he enjoys being turned on.”\u00a0 Women want “horny men with radiance and presence,” Terje proclaims.\u00a0 “Male pin-ups who have nothing but a beautiful body to show off are considered a turn-off.\u00a0 Not even an erect penis can save the situation if all he does is give you the impression that he has no other thought in his head than the model fee.”<\/p>\n “The man in the picture is more than allowed to fondle his own body or masturbate,” Terje continues.\u00a0 As one woman respondent puts it, “I very much like watching a man fondle himself, a man who has allowed himself to enter the sexual room completely.”\u00a0 While “none of the women want the man to be feminine, and some stress that they do not like photos where he looks like a gay stereotype,” Terje notes with a smile that women “do not at all mind homoerotic photos where two men are engaged in sensual or sexual activities with each other — quite the contrary!”<\/p>\n Interestingly, only a minority of the women mention the man\u2019s body itself as\u00a0 important in experiencing a photo as erotic.\u00a0 Many more were concerned with the man\u2019s face, his eyes, his emotional expression.\u00a0 “The face is decisive for women to determine the man\u2019s personality,” Terje notes.\u00a0 Thus, one woman writes specifically that “the model should express lust, have a dangerous gleam in his eyes, or be teasing and vital, but there should always be a feeling of closeness and tenderness.”<\/p>\n Women also like when the photos stimulate a sense of being a voyeur, “the feeling that she risks being caught in the act of looking at him.”<\/p>\n Of the women who did focus on the men\u2019s bodies, most liked men who were “muscular and well-equipped,” but they also wanted men who felt “natural,” who looked like “an everyman.”\u00a0 As for significant body parts, Terje laughs that “there is no doubt that women appreciate looking at the male member.\u00a0 To many it is important that this is shown in the photo.\u00a0 And there is an almost unanimous demand that if a penis is shown at all, it should be erect!”\u00a0 For the record, “very few of the women mention penis size at all.”<\/p>\n As to other parts of the model\u2019s bodies, Terje says that “Cupido<\/em>\u2019s poll does not permit the slightest doubt that his ass is a safe bestseller!\u00a0 But his chest, as well as his stomach, thighs, neck, and hands, can all turn women on.”<\/p>\n Terje believes that “women are often searching for photographs that get their fantasies started, photos about which the women can ask, \u2018Where is he going?\u00a0 Where has he been?\u00a0 Who is he?\u00a0 Where is he?\u00a0 What will he do next?\u2019”<\/p>\n All in all, says Terje, “our female readers demand photos of men who are aroused by them (the female readers), and ready to seduce or be seduced by them.\u00a0 Our readers will not be bluffed.\u00a0 They will not be impressed by a man\u2019s erection if he does not convince them, through his facial expression and personality, that his passion is real and sincere.\u00a0 We want photos of men bursting with heterosexual passion, if we can put things that way.”<\/p>\n Put things that way they do — ten times a year in Norway, six times a year in Denmark, homophobia be damned — alive and well, men and women, young and old, fat and thin, playful and hot, all between the covers of one happy, burstingly passionate family.\u00a0 Almost makes me want to learn Norwegian.<\/p>\n <\/p>\n May 5, 1995<\/p>\n Copyright \u00a9 1995 David Steinberg<\/p>\n","protected":false},"excerpt":{"rendered":"<\/p>\n Photographs of Sexy Men: What Turns Heterosexual Women On?<\/p>\n Cupido, the beautiful Norwegian erotic magazine I talk about so often, has done what I believe is the first survey asking predominantly heterosexual women what they like about erotic photos of men. 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