{"id":7838,"date":"2011-05-29T23:01:50","date_gmt":"2011-05-30T03:01:50","guid":{"rendered":"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?p=7838"},"modified":"2013-08-19T10:05:21","modified_gmt":"2013-08-19T14:05:21","slug":"david-w-streets-hes-baaaaaaaaaaaaaaack","status":"publish","type":"post","link":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/2011\/05\/29\/david-w-streets-hes-baaaaaaaaaaaaaaack\/","title":{"rendered":"David W. Streets . . . He&#8217;s Baaaaaaaaaaaaaaack!"},"content":{"rendered":"<p><a href=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/David_Streets_logo4.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-4419\" title=\"David_Streets_logo\" alt=\"\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/David_Streets_logo4-300x76.jpg\" width=\"300\" height=\"76\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/David_Streets_logo4-300x76.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/David_Streets_logo4-150x38.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/David_Streets_logo4-400x102.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/David_Streets_logo4.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>What with the disclosure of <a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?p=4202\">his record as a felon convicted of assorted scams<\/a>, and the almost complete discreditation of Team Norsigian&#8217;s purported &#8220;authentication&#8221; \u2014 issued under his imprimatur \u2014\u00a0of Rick Norsigian&#8217;s yard-sale glass-plate negatives as works by Ansel Adams, I&#8217;d assumed, reasonably, that <a href=\"http:\/\/www.davidstreetsbeverlyhills.com\/\" target=\"_blank\">Beverly Hills gallerist\u00a0David W. Streets<\/a> had opted (wisely) to drop out of sight, and that we&#8217;d heard the last of him, at least insofar as his inexpert relationship to photography goes.<\/p>\n<p><em><span style=\"font-style: normal;\">After all, without the following:<\/span><\/em><\/p>\n<ul>\n<li><span style=\"font-style: normal;\">Streets&#8217;s endorsement of <\/span><em><span style=\"font-style: normal;\">the questionable attribution of these negatives to Ansel Adams,<\/span><\/em><\/li>\n<li><em><span style=\"font-style: normal;\">his ridiculous but newsworthy estimate of the value thereof at USD $200 million,<\/span><\/em><\/li>\n<li><em><span style=\"font-style: normal;\">his leadership in the aggressive, ongoing marketing of &#8220;authenticated&#8221; prints therefrom,<\/span><\/em><\/li>\n<li><em><span style=\"font-style: normal;\">and his agreement to sponsor the publication of <\/span><a href=\"http:\/\/www.ricknorsigian.com\/html\/lost_reports\/Final_Report_AP_140311.pdf\" target=\"_blank\">THE LOST NEGATIVES: 65 glass negatives created by Ansel Adams<\/a><\/em> (subtitled \u201cFINAL REPORT OF INVESTIGATIVE TEAM\u201d) almost a year ago bearing the name and address of Streets and his Beverly Hills Gallery<\/li>\n<\/ul>\n<p><a href=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/02\/Norsigian_Adams_Report_cover3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-7442\" title=\"Norsigian_Adams_Report_cover\" alt=\"Norsigian &quot;Lost Negatives of Ansel Adams&quot; Report cover\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/02\/Norsigian_Adams_Report_cover3-229x300.jpg\" width=\"183\" height=\"240\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/02\/Norsigian_Adams_Report_cover3-229x300.jpg 229w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/02\/Norsigian_Adams_Report_cover3-114x150.jpg 114w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/02\/Norsigian_Adams_Report_cover3-400x523.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/02\/Norsigian_Adams_Report_cover3.jpg 413w\" sizes=\"auto, (max-width: 183px) 100vw, 183px\" \/><\/a>. . . the entire Norsigian-Adams comedy of errors that&#8217;s made headlines internationally \u2014 <a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?page_id=5619\">tracked in excruciating detail here at <\/a><em><a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?page_id=5619\">Photocritic International<\/a><\/em> \u2014 would have played out on a much smaller stage, if at all. &#8220;Never pushy or hard sell,&#8221; Streets describes himself on his website&#8217;s main page. Be that as it may, the very spotlight that he worked so hard to turn onto these negatives, and the product line that he helped to flog so energetically (before Norsigian opted to sell these <a href=\"http:\/\/ricknorsigian.com\/gallery\/prints.html\" target=\"_blank\">exclusively through his own site<\/a>), led to the press inquiries that brought his criminal past to public attention. Hubris, as usual, evoked nemesis.<\/p>\n<p>Yet he&#8217;s returned, apparently undaunted, for not just the second but the third act in his American life. To begin with, his somewhat revamped website now actually quotes from and links to\u00a0<em>Photocritic International<\/em>. Not to my report on his felonious past, nor my assessment of his dubious credentials as an appraiser, but, on his site&#8217;s &#8220;News&#8221; page, to <a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?p=5940\">my commentary on the behavior of the Ansel Adams Publishing Right Trust and the Center for Creative Photography<\/a> in relation to this situation.<\/p>\n<div id=\"attachment_7861\" style=\"width: 220px\" class=\"wp-caption alignright\"><a href=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/DavidWStreetinJFKchair3.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-7861\" loading=\"lazy\" class=\"size-medium wp-image-7861 \" title=\"DavidWStreetinJFKchair\" alt=\"David W. Street in JFK chair\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/DavidWStreetinJFKchair3-300x262.jpg\" width=\"210\" height=\"183\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/DavidWStreetinJFKchair3-300x262.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/DavidWStreetinJFKchair3-150x131.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/DavidWStreetinJFKchair3.jpg 340w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><p id=\"caption-attachment-7861\" class=\"wp-caption-text\">David W. Streets in JFK chair<\/p><\/div>\n<p>As if none of that examination of his personal and professional past had preceded my discourse on the Adams Trust and the CCP, Streets writes, &#8220;In August 2010, David W. Streets hosted the official introduction of this find by Rick Norsigian at his gallery. As &#8216;THE LOST NEGATIVES&#8217; were brought into the eyes of the public, the head of the Ansel Adams Foundation mounted attacks on Rick Norsigian, attorney Arnold Peter and David. Three months later, as facts emerge, A. D. Coleman calls for the head of the Ansel Adams Foundation [William Turnage] to resign over his role in the issue.&#8221; He adds, &#8220;A. D. Coleman is a noted photography scholar, author and the Ansel and Virginia Adams Distinguished Scholar-in-Residence at the Center for Creative Photography.&#8221; More evidence of Streets&#8217;s ineptitude and\/or duplicity; my residency at the CCP dates back to early 1996, and can&#8217;t accurately get referred to in the present tense.<\/p>\n<p>Talk about chutzpah (not to mention hubris): In pointing visitors to my blog, Streets must have his fingers crossed in the hope that they won&#8217;t follow any of the links in the post to which he&#8217;s linked, browse around my site, or otherwise comes across my unfavorable estimation there of Streets&#8217;s lack of qualifications for anything relating to photography. Or else he&#8217;s simply following the rule that there&#8217;s no such thing as bad publicity.<\/p>\n<p>Streets has in fact stripped his site of just about anything that would connect him to the Norsigian negatives and his several roles in that regard. [Note: He or his webmaster have removed the links to that material, but some of it remains at the site \u2014 see <a href=\"http:\/\/www.davidstreetsbeverlyhills.com\/Ansel-Adams-Negatives.php\" target=\"_blank\">this July 21, 2010 press release<\/a>, for example, up as of this writing, 5\/30\/11.] Gone are the photos of the opening of his shows of prints made from those negs, the relevant press releases, links to the Norsigian site \u00a0. . . save for <a href=\"http:\/\/www.davidstreetsbeverlyhills.com\/press-09-1.php\" target=\"_blank\">a brief excerpt from Alan Duke&#8217;s July 2010 story<\/a>, and a link to the full article at CNN, you wouldn&#8217;t know that he&#8217;d played a central role in that debacle.<\/p>\n<div id=\"attachment_7850\" style=\"width: 190px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.facebook.com\/people\/Anton-Fury\/100000910140310\"><img decoding=\"async\" aria-describedby=\"caption-attachment-7850\" loading=\"lazy\" class=\"size-full wp-image-7850 \" title=\"Anton_Fury_Facebook\" alt=\"Anton Fury, from his Facebook page\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_Facebook3.jpg\" width=\"180\" height=\"269\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_Facebook3.jpg 180w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_Facebook3-100x150.jpg 100w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a><p id=\"caption-attachment-7850\" class=\"wp-caption-text\">Anton Fury, from his Facebook page<\/p><\/div>\n<p>Whatever the case, his triumphant return to the limelight does not bear on the Norsigian-Adams contretemps, but on a brand-new situation: the 1980 garage-sale purchase by one Anton Fury of anonymous negatives of Marilyn Monroe and Jayne Mansfield.\u00a0Alan Duke, who wrote <a href=\"http:\/\/edition.cnn.com\/2010\/SHOWBIZ\/celebrity.news.gossip\/07\/28\/ansel.adams.negative.dispute\/index.html?iref=allsearch#fbid=G5yf8O55LFq\" target=\"_blank\">the CNN story that broke open the Norsigian-Adams controversy<\/a> on\u00a0July 29, 2010, has now done the same for this new development in the David W. Streets epic; see <a href=\"http:\/\/www.cnn.com\/2011\/SHOWBIZ\/celebrity.news.gossip\/05\/28\/marilyn.monroe.mystery\/index.html?hpt=C2\" target=\"_blank\">&#8220;Marilyn Monroe photos found at garage sale still a mystery,&#8221;<\/a> published by CNN on May 28, 2011.<\/p>\n<p>In brief, at a garage sale in Parsippany, New Jersey sometime in 1980,\u00a0Fury paid $2 for a folder containing two envelopes of black &amp; white negatives. As Fury, then a self-described &#8220;fledgling photographer,&#8221; discovered when he got them home and spread them out for viewing on his light table, one envelope held &#8220;dozens&#8221; of negatives\u00a0of Monroe at a &#8220;poolside photo shoot,&#8221; the other about 70 images of Mansfield.<\/p>\n<p>That the subjects are the two blonde bombshells seems undeniable, from the small slideshow that accompanies the CNN story. The rest \u2014 the photographer, the circumstances of the pictures&#8217; making, the identity of the well-dressed man who appears in several of the images \u2014 remains unknown. For reasons undisclosed, Fury &#8220;held onto the photographs for the last three decades, not knowing much about them,&#8221; according to Duke. &#8220;The only thing we&#8217;re sure of is who,&#8221; he quotes Fury as saying. &#8220;We don&#8217;t know where, we don&#8217;t know why, we don&#8217;t know when, we don&#8217;t know who shot them. But we do know it is Marilyn.&#8221;<\/p>\n<div id=\"attachment_7851\" style=\"width: 250px\" class=\"wp-caption alignright\"><a href=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Monroe_Fury_CNN3.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-7851\" loading=\"lazy\" class=\"size-medium wp-image-7851 \" title=\"Monroe_Fury_CNN\" alt=\"Anonymous photographer, Marilyn Monroe, Anton Fury Collection, CNN\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Monroe_Fury_CNN3-300x204.jpg\" width=\"240\" height=\"163\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Monroe_Fury_CNN3-300x204.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Monroe_Fury_CNN3-150x102.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Monroe_Fury_CNN3-400x272.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Monroe_Fury_CNN3.jpg 499w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-7851\" class=\"wp-caption-text\">Anonymous photographer, Marilyn Monroe, Anton Fury Collection, CNN<\/p><\/div>\n<p>Monroe&#8217;s impending 85th birthday (she was born on June 1, 1926) appears to have catalyzed Fury&#8217;s decision to go public with his find.\u00a0For reasons also undisclosed, but presumably related to the &#8220;no such thing as bad publicity&#8221; attitude, Fury, of Wayne, NJ,\u00a0&#8220;flew to Los Angeles this week to show the images to David W. Streets, a Beverly Hills art dealer and appraiser experienced with Monroe photos,&#8221; according to Duke. (Curiously, Duke elects not to mention in any way Streets&#8217;s high-profile involvement in the Norsigian-Adams story, nor his criminal past, despite the fact that this reporter not only broke the original story but followed it up with <a href=\"http:\/\/articles.cnn.com\/2010-07-28\/entertainment\/ansel.adams.negative.dispute_1_david-w-streets-streets-beverly-hills-rick-norsigian?_s=PM:SHOWBIZ\" target=\"_blank\">subsequent accounts<\/a>.)<\/p>\n<p>Streets has, so far, behaved in a more circumspect manner than he did with the arguable &#8220;Ansel Adams&#8221; negatives. From architectural data embedded in the images, he&#8217;s determined that the negatives were made in Los Angeles, sometime around 1950, when both actresses \u2014 who were friends with each other \u2014 were working in Hollywood. Beyond that, instead of proposing authorship or pretending to other expertise, as he did with the Norsigian material, Streets is . . . crowdsourcing. Duke&#8217;s story continues with this quote from the gallerist:\u00a0&#8220;For me as an appraiser and as a researcher, I want people to call, I want people to e-mail and say, &#8216;This is where it is, this is what it is, this is who I think took it.'&#8221;<\/p>\n<p>Perhaps having learned a lesson from the fierce blowback resulting from the exaggerated and unproven claims he and others made in regard to the Norsigian negatives, Streets has also refrained from quoting any value to these negatives. As Duke points out, &#8220;One risk Fury runs as he brings his garage sale find to the public, and possibly for sale, is that someone could make a legal claim to the photos, which are possibly still protected by copyright laws even after 60 years. &#8216;That&#8217;s kind of what we&#8217;re trying to figure out,&#8217; Fury said. &#8216;There&#8217;s way more questions than there are answers at this point. We don&#8217;t know where this is going to lead.'&#8221; (Of course, that risk has diminished considerably over the 60 years since the estimated production of the negatives and the 30 years since their acquisition by Fury \u2014 one possible explanation for the hiatus between his buying them and identifying their subjects and his coming forward with them.)<\/p>\n<div id=\"attachment_4276\" style=\"width: 222px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/Patrick_Alt_website4.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-4276\" loading=\"lazy\" class=\"size-medium wp-image-4276 \" title=\"Patrick_Alt_website\" alt=\"\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/Patrick_Alt_website4-265x300.jpg\" width=\"212\" height=\"240\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/Patrick_Alt_website4-265x300.jpg 265w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/Patrick_Alt_website4-132x150.jpg 132w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/Patrick_Alt_website4-400x452.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/08\/Patrick_Alt_website4.jpg 561w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><p id=\"caption-attachment-4276\" class=\"wp-caption-text\">&#8220;Photography Expert&#8221; Patrick Alt&#8217;s website.<\/p><\/div>\n<p>Indeed, while Fury clearly acquired the negatives legitimately and owns them outright (and thus could sell them for whatever the market would bear, if he so chose), the copyright law allows him to license usage rights only so long as the maker of these negatives remains unknown. If and when the photographer who generated them gets identified, those subsidiary rights become his (or hers) to exercise, unless a court rules otherwise.<\/p>\n<p>No doubt we&#8217;ll hear more on this in the coming months. But here&#8217;s the kicker: Anton Fury, who found these negatives roughly 31 years ago, has since become a full-fledged photographer. Indeed, he&#8217;s something of an east coast counterpart to Patrick Alt, who <a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?p=4144\">played a notable role in the Norsigian-Adams narrative<\/a>. Alt, you may recall, works in part as a maker of the type of nudes once referred to as &#8220;cheesecake,&#8221; samples of which you&#8217;ll find at <a href=\"http:\/\/www.patrickalt.com\/\" target=\"_blank\">his website<\/a>.<\/p>\n<div id=\"attachment_7852\" style=\"width: 250px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.antonfury.com\/index.html\"><img decoding=\"async\" aria-describedby=\"caption-attachment-7852\" loading=\"lazy\" class=\"size-medium wp-image-7852 \" title=\"Anton_Fury_website\" alt=\"Anton Fury's website\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_website3-300x167.jpg\" width=\"240\" height=\"134\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_website3-300x167.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_website3-150x83.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_website3-400x223.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2011\/05\/Anton_Fury_website3.jpg 500w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-7852\" class=\"wp-caption-text\">Anton Fury&#8217;s website<\/p><\/div>\n<p>Turns out that Anton Fury does the same, in a more XXX-rated way. <a href=\"http:\/\/www.antonfury.com\/index.html\" target=\"_blank\">His website<\/a> states, &#8220;Anton Fury is editor of <em>Gent<\/em>, <em>Busty Beauties<\/em>, <em>D-Cup<\/em> and <em>Cleavage<\/em> magazines. He is the exclusive photographer for all four publications. He shoots for others as well, such as <em>Genesis, Juggs, Plumpers, Hustler, Domina Express, Score, Leg Sex, Leg Action<\/em> and <em>Nugget<\/em>, just to name a few. He has hundreds of international magazine covers to his credit.&#8221;<\/p>\n<p>The site quotes him thus: &#8220;I have always gravitated towards positions that have allowed my creativity to thrive. Although, I am a mechanical and analytical thinker, I incorporate my innovative approach to breath life into whatever project I encounter. I approach each new endeavor as a challenge with a devoted commitment to produce the highest quality product possible. My standards and expectations are high; however, this characteristic does not prohibit me from the spontaneity that is often necessary to complete an assignment. . . .\u00a0My work ethic cannot be challenged nor contested. My loyalty goes above and beyond. I am a visionary of innovative prospective. I am motivated with enthusiasm. My technical ability is rivaled only by my passion as an artist. I am a master of creation.&#8221;<\/p>\n<p>Needlessly (I hope), I swear to you that I don&#8217;t make this stuff up.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The triumphant return of David W. Streets to the limelight does not bear on the Norsigian-Adams contretemps, but on a brand-new situation: the 1980 garage-sale purchase by one Anton Fury of anonymous negatives of Marilyn Monroe and Jayne Mansfield. Streets has, so far, behaved in a more circumspect manner than he did with the arguable &#8220;Ansel Adams&#8221; negatives. Instead of proposing authorship or pretending to other expertise, as he did with the Norsigian material, Streets is . . . crowdsourcing.  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[13,15],"tags":[31,42,44,46,92,145,251,327,452,556],"class_list":["post-7838","post","type-post","status-publish","format-standard","hentry","category-intellectual-property-2","category-news-commentary","tag-alan-duke","tag-ansel-adams","tag-ansel-adams-publishing-rights-trust","tag-anton-fury","tag-center-for-creative-photography","tag-david-w-streets","tag-jayne-mansfield","tag-marilyn-monroe","tag-rick-norsigian","tag-william-turnage","odd"],"_links":{"self":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/posts\/7838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/comments?post=7838"}],"version-history":[{"count":0,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/posts\/7838\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/media?parent=7838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/categories?post=7838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/tags?post=7838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}