{"id":43120,"date":"2022-01-19T23:45:46","date_gmt":"2022-01-20T04:45:46","guid":{"rendered":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/?p=43120"},"modified":"2022-01-20T10:43:44","modified_gmt":"2022-01-20T15:43:44","slug":"guest-post-32-charles-herrick-on-capas-d-day-s-2","status":"publish","type":"post","link":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/2022\/01\/19\/guest-post-32-charles-herrick-on-capas-d-day-s-2\/","title":{"rendered":"Guest Post 32: Charles Herrick on Capa\u2019s D-Day (s)"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-39800\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2019\/05\/Kodak_35mm_Super-XX_film_package_ca_1940.jpg\" alt=\"Kodak 35mm Super-XX film\" width=\"100\" height=\"90\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2019\/05\/Kodak_35mm_Super-XX_film_package_ca_1940.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2019\/05\/Kodak_35mm_Super-XX_film_package_ca_1940-150x135.jpg 150w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><em>[With this post we offer more newly discovered evidence in support of our radical revision of the Capa D-Day myth.<\/em><\/p>\n<p><em>Searching further through the USCG film archives, Herrick has now located several more Ruley clips made aboard <\/em>LCI(L)-94<em> that pertain to Capa&#8217;s D-Day narrative. These show the damage to that vessel inflicted by German shelling, to which Capa refers in his several accounts of his experiences during the invasion. Thereby they raise further question regarding the credibility of Capa&#8217;s narratives<\/em>.<\/p>\n<p><em>Part 2 appears below. <a href=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/2022\/01\/16\/guest-post-32-charles-herrick-on-capas-d-day-r-2\/\">Click here for Part 1.<\/a> \u2014 A.D.C.]<\/em><\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p style=\"text-align: center;\"><strong>Damage Report:<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Robert Capa and the Shelling of LCI(L)-94<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>(conclusion)<br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>by Charles Herrick<\/strong><\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p style=\"text-align: center;\"><strong>Pilot House<\/strong><\/p>\n<p style=\"text-align: left;\">&#8230; The second relevant scene in <a href=\"https:\/\/www.criticalpast.com\/video\/65675058892_Landing-Craft-Infantry_breakwater_sunken-ships_barrage-balloons_examining-shrapnel\" target=\"_blank\" rel=\"noopener\">US Coast Guard cinematographer David T. Ruley&#8217;s film clip<\/a> (beginning at timestamp 00:57) shows the intact base of a projectile lodged in the edge of the porthole in the pilot house of <em>LCI(L)-94<\/em>. (Figure 7).<\/p>\n<div id=\"attachment_43148\" style=\"width: 460px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-43148\" loading=\"lazy\" class=\"wp-image-43148\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Ruley_LCIL-94_damage_film_still_2.jpg\" alt=\"Figure 7. The intact base of a projectile (?) lodged into the porthole mounting ring on the forward face of LCI(L)-94\u2019s pilot house. Still from David T. Ruley film clip.\" width=\"450\" height=\"313\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Ruley_LCIL-94_damage_film_still_2.jpg 548w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Ruley_LCIL-94_damage_film_still_2-150x104.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Ruley_LCIL-94_damage_film_still_2-400x278.jpg 400w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-43148\" class=\"wp-caption-text\">Figure 7. The intact base of a projectile (?) lodged into the porthole mounting ring on the forward face of LCI(L)-94&#8217;s pilot house. Still from David T. Ruley film clip. (CriticalPast)<\/p><\/div>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p>The projectile appears to be roughly three inches in diameter. Although precise measurement is a bit difficult, this diameter would be consistent with German defenses in the area. WN62, a few hundred yards to the east of <em>LCI(L)-94<\/em>&#8216;s beaching site, contained two guns of 75mm bore (2.95 inches); they were captured Belgium 75mm TR field artillery pieces, styled FK 235(b) in German service.<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a> They were sited in concrete bunkers to fire westward along the beach, which was precisely the area where <em>LCI(L)-94<\/em> beached. (WN62, the abbreviation for Weiderstandnest 62, was the German designation for the fortifications guarding the west side of the Colleville draw, where Exit E-3 led off the beach.)<\/p>\n<p>WN62 did also contain an anti-tank gun and a dismounted tank gun, but both of these were of smaller caliber (50mm) and were sited on the east side of WN62 to cover the valley through which the E-3 exit ran; they physically could not come to bear on <em>LCI(L)-94<\/em>&#8216;s beaching site.<\/p>\n<p>Figure 8 includes two views of sister ships to <em>LCI(L)-94<\/em>, and are included to better illustrate where this hit was located. <em>[Left, original source file: <a href=\"http:\/\/www.navsource.org\/archives\/10\/15\/150096.htm\" target=\"_blank\" rel=\"noopener\">NavSource Online: Amphibious Photo Archive, LCI(L)-96<\/a>. <a href=\"http:\/\/www.navsource.org\/archives\/10\/15\/1015009601.jpg\" target=\"_blank\" rel=\"noopener\">Click here for original image file<\/a>. <\/em><em>Right, original source file: <a href=\"http:\/\/www.navsource.org\/archives\/10\/15\/150089.htm\" rel=\"noopener\">NavSource Online: Amphibious Photo Archive, LCI(L)-89<\/a>. <a href=\"http:\/\/www.navsource.org\/archives\/10\/15\/1015008914.jpg\" target=\"_blank\" rel=\"noopener\">Click here for original image file<\/a>.]<\/em><\/p>\n<div id=\"attachment_43151\" style=\"width: 460px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-43151\" loading=\"lazy\" class=\"wp-image-43151\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-96_and_89.jpg\" alt=\"Figure 8. Views of two sister ships to LCI(L)-94, showing where the strike to the ship was located in relation to the rest of the ship\u2019s structure.\" width=\"450\" height=\"204\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-96_and_89.jpg 567w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-96_and_89-150x68.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-96_and_89-400x181.jpg 400w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-43151\" class=\"wp-caption-text\">Figure 8. Views of two sister ships to LCI(L)-94, showing where the strike to the ship was located in relation to the rest of the ship\u2019s structure.(NavSource)<\/p><\/div>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p>The projectile&#8217;s apparent angle of impact would indicate that the ship was facing nearly head-on to the German cannon at the time it was hit. From Capa&#8217;s &#8220;One Last Shot of the Beach&#8221; photo (and its lesser-known sister photo), it seems that as <em>LCI(L)-94<\/em> retracted from the beach the second time, the captain steered the stern to starboard, thus swinging its bow to port \u2014 east \u2014 and then ordered his engines ahead and had the helm put to port to complete his turn away from the beach. During this maneuver, the forward face of the pilot house would have swung in an arc that, for a few moments, would have been pointed directly at the 75mm gun emplacements on WN62. It was apparently during this part of the maneuver that the ship was hit in the pilot house.<\/p>\n<p>One detail is difficult to explain: the base of the projectile still lodged in the armor. LCIs were only lightly armored, with the pilot house protected by just 2 inches of plastic armor.<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a> Although plastic armor was bullet-resistant, it was totally inadequate defense against cannon fire. The projectile we see lodged in the pilot house shouldn&#8217;t be there. It should have cleanly penetrated. So, why didn&#8217;t it? I can&#8217;t say for certain, but we may have a lead. In late May 1944, Rommel noted that the ammunition stores located in the coastal defenses had led to unsatisfactory deterioration of much of the munitions. He ordered stockpiles reduced, with the bulk of the ammunition to be stored under better conditions in army depots.<a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a> This was just two or three weeks before D-Day, and it seems probable that very little had been done to reduce the supplies in the strongpoints, or replace the damaged ammunition with serviceable rounds.<\/p>\n<p>From Figure 7, we can&#8217;t tell much more about the projectile. Was it a solid anti-tank projectile that, due to deteriorated propellant, struck the pilot house at low velocity and failed to completely penetrate the plastic armor? And if this were the case, would it have had sufficient force to cause lethal spalling within the pilothouse? Or was it a high-explosive shell that just barely penetrated into the pilothouse before exploding? And, in that case, would the base of the shell remain lodged where we see it? It doesn&#8217;t seem likely.<\/p>\n<p>But let us step back for a minute and reassess. If it doesn&#8217;t seem logical that a projectile would lodge in armor that thin, perhaps it isn&#8217;t a projectile. A standard element of every Navy damage-control locker (and presumably USCG as well) was an assortment of conical, soft wood plugs. (Figure 9) Although those were normally used to plug holes below the waterline, it may be that such a plug was jammed into this shell hole to keep the weather out.<\/p>\n<div id=\"attachment_43165\" style=\"width: 333px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-43165\" loading=\"lazy\" class=\"wp-image-43165 size-full\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Through-hull_soft_wood_plugs.jpg\" alt=\"Figure 9. A selection of commercial through-hull soft wood plugs still used today for damage control, and typical of those used by the USCG and Navy in WWII.\" width=\"323\" height=\"237\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Through-hull_soft_wood_plugs.jpg 323w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/Through-hull_soft_wood_plugs-150x110.jpg 150w\" sizes=\"auto, (max-width: 323px) 100vw, 323px\" \/><p id=\"caption-attachment-43165\" class=\"wp-caption-text\">Figure 9. A selection of commercial through-hull soft wood plugs still used today for damage control, and typical of those used by the USCG and Navy in WWII.<\/p><\/div>\n<p>With this possibility in mind, a closer look at the photo designated as Figure 7, above, seems to show a small mushrooming effect around the circumference of the object at the base, as you&#8217;d expect to see when a soft wood peg has been hammered home with force. (Figure 10) The base of a projectile does not normally show that kind of deformation.<\/p>\n<div id=\"attachment_43168\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-43168\" loading=\"lazy\" class=\"wp-image-43168 size-full\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_detail_2.jpg\" alt=\"Figure 10. This image is an enlarged detail from Figure 7. The highlighted shadow line indicates an irregular rim projecting beyond the diameter of the rest of the object, consistent with a soft wood that &quot;mushroomed&quot; as a result of being hammered.\" width=\"350\" height=\"230\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_detail_2.jpg 350w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_detail_2-150x99.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><p id=\"caption-attachment-43168\" class=\"wp-caption-text\">Figure 10. This image is an enlarged detail from Figure 7. The highlighted shadow line indicates an irregular rim projecting beyond the diameter of the rest of the object, consistent with a soft wood that &#8220;mushroomed&#8221; as a result of being hammered.<\/p><\/div>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p>If it actually is a wood plug, and I believe it is, then the projectile penetrated cleanly though the front armor of the pilot house before detonating, and the full force of the shell&#8217;s explosion would have been contained in the pilot house, with devastating results.<\/p>\n<p>While questions remain about this projectile&#8217;s nature, the result was painfully clear. In addition to the casualties, the pilot house lost electrical power, which in turn knocked out electrical steering control and killed the ship&#8217;s internal communications. Fortunately, the captain and crew were skilled enough to almost immediately switch to manual steering from the compartment in the stern, directed by means of an improvised chain of sailors who passed along the captain&#8217;s verbal orders. As a result, the ship was only slightly delayed in its withdrawal from the beach.<\/p>\n<p style=\"text-align: center;\"><strong>The Third Shot?<\/strong><\/p>\n<p>So, how many hits did <em>LCI(L)-94<\/em> sustain? Clifford Lewis (who was not in a position to witness the hits) and Ruley (who was) both claimed the ship was hit three times. Mark Graham (who was also in a position to witness the hits) only cited two. All three of these accounts were recorded within a year of the events, when memories should have been fresh. So who are we to believe?<\/p>\n<p>Without claiming certainty, I suggest Graham&#8217;s account may be more accurate. As a boatswain&#8217;s mate, his duties included upkeep of the ship&#8217;s external structure, rigging, deck equipment, and damage-control parties. As such, I believe he would have been far more attuned to the exact location of hits and damage resulting from those hits. Supporting this conclusion is the fact that Ruley only filmed damage at two points on the ship. If there had been a third hit, I assume Ruley would have filmed it as well.<\/p>\n<p>On the other hand, Lewis mentioned that the ship departed the beach missing its port boarding ramp, which had to be cut away. Could this have been a result of a third hit? Or was it jettisoned because the ramp jumped its rollers and became jammed in the deployed position (a not uncommon malfunction with that design)? Again, we can only speculate. Since Graham&#8217;s duty station during beaching was at the ramps, I suspect that if one of his ramps had been hit by artillery fire, he would have mentioned it.<\/p>\n<p>So, lacking other evidence, I think there were just two hits to <em>LCI(L)-94<\/em>.<\/p>\n<p style=\"text-align: center;\"><strong>Cost<\/strong><\/p>\n<p>Total damage from the approximately 30 minutes <em>LCI(L)-94<\/em> spent on the beach:<\/p>\n<ul>\n<li>Seaman 1st Class Jack DeNunzio. Both legs and part of his stomach shot off; died shortly after being hit.<\/li>\n<li>Motor Machinist Mate 3rd Class August Buncik. Decapitated, died instantly.<\/li>\n<li>Seaman 1st Class Fletcher Burton. Dead from concussive force of shell explosion.<\/li>\n<li>Quartermaster 3rd Class David Anthony. Shrapnel wounds to feet and legs.<\/li>\n<li>Lieutenant, Junior Grade Francis Mead. Shrapnel wounds to back.<\/li>\n<li>Hit to pilot house resulted in lost steering, electrical systems and communications.<\/li>\n<li>One of two propellers damaged on underwater obstacles.<\/li>\n<li>Port boarding ramp, cut away during retraction from beach.<\/li>\n<\/ul>\n<p>Even so, considering the damage taken by other LCIs during this period, <em>LCI(L)-94<\/em> got off relatively lightly. Which, of course, is a hollow judgment as far as the five men mentioned above are concerned. Nevertheless, the ship managed the necessary temporary repairs and continued to serve off Omaha Beach for some weeks.<\/p>\n<div id=\"attachment_43175\" style=\"width: 460px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-43175\" loading=\"lazy\" class=\"wp-image-43175\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_Slapton_Sands_UK_May_1944.jpg\" alt=\"USS LCI(L)-94 off Slapton Sands, England, prior to the Normandy invasion, circa May 1944.\" width=\"450\" height=\"338\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_Slapton_Sands_UK_May_1944.jpg 544w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_Slapton_Sands_UK_May_1944-150x113.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/LCIL-94_Slapton_Sands_UK_May_1944-400x300.jpg 400w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-43175\" class=\"wp-caption-text\">USS LCI(L)-94 off Slapton Sands, England, prior to the Normandy invasion, circa May 1944. (NavSource)<\/p><\/div>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p style=\"text-align: center;\"><strong>The Guns<\/strong><\/p>\n<p>Above I referred to the two 75mm artillery pieces located in WN62 as being the source of the hits. In fact, we can actually identify the specific piece responsible for the hits to <em>LCI(L)-94<\/em>. These two artillery pieces were sited in concrete bunkers, at two different elevations on WN62&#8217;s hill. According to Zaloga, the upper bunker took a severe beating on D-Day, suffering at least 27 direct hits, including at least 7 that entered the embrasure and exploded inside. &#8220;At 0745 hours, the <em>Grenadier-Regiment.726<\/em> command post reported that the upper 75mm gun bunker in WN62 had been knocked out.&#8221; As a result, when <em>LCI(L)-94<\/em> was hit about an hour later, the only artillery piece still in action was the one sited in the lower bunker. Although it took its toll on <em>LCI(L)-94<\/em>, it would not survive much longer. By 1000 hours it, too, was reported knocked out of action, with its entire crew killed or wounded. <a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a><\/p>\n<p>There is one question left unanswered. Why did this German gun wait so long to fire? Logically it should have fired just as <em>LCI(L)-94<\/em> arrived, so that it could inflict maximum casualties among the tightly packed soldiers before they had a chance to step ashore. Instead, it did not fire until all the troops had debarked, and the ship had accomplished its mission. That bunker had also been taking severe counterfire; perhaps it had been put temporarily out of action and the crew had only just got it back in working order in time to take the parting shots? But if that were the case, it would have been better to simply withhold fire until a better target appeared. So, for now, this too remains a mystery.<\/p>\n<div id=\"attachment_43166\" style=\"width: 404px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-43166\" loading=\"lazy\" class=\"wp-image-43166 size-full\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/WN62_aerial_view_annotated.jpg\" alt=\"Aerial photo of WN62 with notations showing features of the defense. (Image and notations from ATLANTIKWALL.CO.UK). The two features labelled \u201cR669\u201d (center, just to the left of the anti-tank ditch) were newly built bunkers housing the 75mm field artillery pieces that covered the beaching site of LCI(L)-94. The LCI beached at the right edge of this photo, only about 400 yards from the two guns. Zaloga identifies these two bunkers as Type R612 (vice R669). The upper bunker is now the base for the memorial to the 5th Engineer Special Brigade.\" width=\"394\" height=\"297\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/WN62_aerial_view_annotated.jpg 394w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2022\/01\/WN62_aerial_view_annotated-150x113.jpg 150w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><p id=\"caption-attachment-43166\" class=\"wp-caption-text\">Aerial photo of WN62 with notations showing features of the defense. (Image and notations from ATLANTIKWALL.CO.UK). The two features labelled \u201cR669\u201d (center, just to the left of the anti-tank ditch) were newly built bunkers housing the 75mm field artillery pieces that covered the beaching site of LCI(L)-94. The LCI beached at the right edge of this photo, only about 400 yards from the two guns. Zaloga identifies these two bunkers as Type R612 (vice R669). The upper bunker is now the base for the memorial to the 5th Engineer Special Brigade.<\/p><\/div>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p style=\"text-align: center;\"><strong>Capa, Again<\/strong><\/p>\n<p>Where does this new film footage leave us with Capa? Well, generally speaking, it justifies and reinforces the need for a healthy skepticism when dealing with any of his narratives. More specifically, it calls into question many of the details he provided in his two accounts of his departure from Omaha Beach. His borrowing of <em>LCI(L)-85<\/em>&#8216;s &#8220;listing and sinking&#8221; confounded biographers and historians alike for decades.<\/p>\n<p>In an unlucky coincidence, <em>LCI(L)-85<\/em> was badly shot up while attempting to land at Fox Green beach sector, in the area where most of Company E, 16th Regimental Combat Team landed. Since Capa had fabricated a narrative in which he landed with that very same company, <em>LCI(L)-85<\/em> was then seized on as, logically, his means of escape from Omaha Beach.<\/p>\n<p>His authorized biographer, Richard Whelan, doubled down on this nonsense, constructing a narrative that had Capa first leaving the beach on <em>LCI(L)-85<\/em>, returning to the USS <em>Samuel Chase<\/em>, then making a second landing by some unspecified means, and finally wading away from the beach a second time to board <em>LCI(L)-94<\/em>. <a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a> The need to reconcile the <em>LCI(L)-85<\/em> myth with Jarreau&#8217;s and Lewis&#8217;s factual accounts placing Capa aboard <em>LCI(L)-94<\/em> as it left the beach required this literary backflip.<\/p>\n<p>Of course, Capa did not land on Fox Green with company E. He landed on the east end of Easy Red. But that point was not definitely proven until separate analyses by <a href=\"https:\/\/www.strijdbewijs.nl\/\" target=\"_blank\" rel=\"noopener\">Pieter Jutte<\/a> and I came to the same conclusions as to the location. Prior to that, however, the lie had become self-sustaining and self-reinforcing.<\/p>\n<p>Capa&#8217;s description of boarding <em>LCI(L)-94<\/em>, simple as it appears, raises many more concerns. For instance, there is the small matter of his comment: &#8220;Then I saw the superstructure had been shot away.&#8221; This was a massive exaggeration considering the small extent of the structural damage that Ruley documented. It does, however, provide a useful yardstick by which we can measure the scale of Capa&#8217;s habitual exaggerations.<\/p>\n<p>Also, how could the impact of two (or three?) medium-caliber artillery shells appear to him to be merely a single &#8220;slight impact&#8221;? If, as he claimed in one version, he had just reached the deck when the shells hit, then he would have been within just a few yards of their impact points. Even if only one of the projectiles was a high-explosive shell, how could he not have taken greater notice at such close proximity to the detonation?<\/p>\n<p>And what of the &#8220;chicken feathers&#8221;? The kapok debris field is clearly visible in a limited area up on the boat deck in both Capa&#8217;s photos and Ruley&#8217;s film. But Capa was not up there when the shells hit. Nor is there any sign of kapok debris on his uniform when Ruley&#8217;s camera captured him a short time later. <a href=\"#_ftn6\" name=\"_ftnref6\">[6]<\/a> How could this be? Was this yet another detail he observed and casually co-opted for himself?<\/p>\n<div id=\"attachment_36064\" style=\"width: 460px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-36064\" loading=\"lazy\" class=\"wp-image-36064\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure10.jpg\" alt=\"Fig. 10: Robert Capa holding cinematographer's slate aboard LCI(L)-94, D-Day, frame from film by David T. Ruley\" width=\"450\" height=\"313\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure10.jpg 1382w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure10-768x533.jpg 768w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure10-150x104.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure10-400x278.jpg 400w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-36064\" class=\"wp-caption-text\">Fig. 10: Robert Capa holding cinematographer&#8217;s slate aboard LCI(L)-94, D-Day, frame from film by David T. Ruley<\/p><\/div>\n<p>And then there is the question of changing his film. In the Wertenbaker version, as soon as he climbed aboard he began changing the film in his camera, and then he felt the &#8220;slight shock&#8221; of the hit. But in his autobiography, as soon as he reached the deck the shell hit, and he didn&#8217;t begin to change film until he reached the engine room where he could dry his hands. Well, which is it?<\/p>\n<p>These, and several other oddities, have led me to conclude that Capa&#8217;s story of boarding <em>LCI(L)-94<\/em> is false. It just doesn&#8217;t add up. Let\u2019s step back and reassess. If so much of this fails to make sense, then perhaps we\u2019re not seeing the whole picture.\u00a0 Or &#8230; maybe we&#8217;re looking at the <em>wrong<\/em> picture. A review of the material pertaining to<em> LCI(L)-94&#8242;<\/em>s operations on D-Day reveals an important point, and once again it is Chief Photographer&#8217;s Mate David T. Ruley who comes through for us.<\/p>\n<div id=\"attachment_36061\" style=\"width: 210px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-36061\" loading=\"lazy\" class=\"wp-image-36061\" src=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure8.jpg\" alt=\"Fig. 8: Cinematographer David T. Ruley, illustrations for first-person account of D-Day experiences, Movie Makers magazine, 6\/1\/45\" width=\"200\" height=\"143\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure8.jpg 553w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure8-150x107.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/Capa_Herrick_Ruley_Figure8-400x286.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-36061\" class=\"wp-caption-text\">Fig. 8: Cinematographer David T. Ruley, illustrations for first-person account of D-Day experiences, Movie Makers magazine, 6\/1\/45<\/p><\/div>\n<p>At the end of <a href=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/2017\/05\/14\/guest-post-24-charles-herrick-on-capas-d-day-e\/\">an earlier post on this site<\/a>, I briefly referenced an article Allan Coleman had dug up. The article, written by Ruley and recounting his D-Day experiences, was carried in the June, 1945 issue of <em>Movie Makers<\/em> magazine. <em>[<a href=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2017\/05\/David-T.-Ruley-USCG-Photographer-D-Day-LCIL-94.pdf\">Click here for a pdf download of this article.<\/a>]<\/em> According to Ruley, he was up on the open bridge and on the boat deck during the landing on Easy Red; so, of all the <em>LCI(L)-94<\/em> crewmen who provided accounts, he had the best situational awareness. As a result, he was aware of details that other crewmen, who were stationed below decks, had no way of knowing.<\/p>\n<p>In particular, he revealed that the ship actually made two beachings.\u00a0 After about 100 troops had disembarked at the ship&#8217;s first beaching site, the stern of the ship was being swept toward a mined obstacle by the tide. As a result, the captain had the ship retracted, then brought it back in for a second beaching about a hundred yards to the east.<\/p>\n<p>Now, that is an interesting development. We have a second \u2014 and earlier \u2014 boarding opportunity for Capa. When they stopped sending troops down the ramp so they could back off the beach to relocate, Capa would have had a boarding opportunity, of which a man on the verge of panic would surely avail himself. A rough estimate for this would be about 0830-35 hours, according to the timeline I worked out. And that seems to solve many of the questions raised by Capa\u2019s narrative.<\/p>\n<p>For example, boarding at this earlier time means Capa would have been drying off in the engine room when the ship was hit. And sitting there, two decks below and two compartments aft of the shell hits, and surrounded by the roar of eight Detroit Diesel, 6-cylinder, 426 cubic inch engines, the shell explosion would indeed seem to be just the &#8220;slight shock&#8221; he described.<\/p>\n<p>A full discussion of this hypothesis is far beyond the scope of an article dealing with the combat damage suffered by this ship. That will have to wait for another day.<\/p>\n<p>(Part <a href=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/2022\/01\/16\/guest-post-32-charles-herrick-on-capas-d-day-r-2\/\">1<\/a> I 2)<\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p><strong>Notes:<\/strong><\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> This identification is from Steven Zaloga\u2019s <em>The Devil\u2019s Garden, Rommel\u2019s Desperate Defense of Omaha Beach on D-Day<\/em> (Stackpole Books, 2013), location 1828 in Kindle edition. Heinrich &#8220;Hein&#8221; Severloh, one of two defenders of Wn62 who published their accounts of D-Day, identified these guns as \u201c7,65-cm-Feldkanone Modell 1917\u201d (<em>WN 62 \u2014 Erinnerungen an Omaha Beach: Normandie, 6. Juni 1944<\/em>, German Edition. Mythos Verlag. Kindle Edition, location 85). Pictures of the guns appear to bear out Zaloga\u2019s identification.<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> &#8220;Plastic armor&#8221; was a generic term for small, hard pieces of aggregate held in a matrix of bitumen (similar to asphalt concrete) or in a mastic of resin. It was applied in soft form and would harden in place as it cured. Slabs two inches thick were applied on top of the ship\u2019s 1\/4-inch steel plating for the pilot house, open bridge and on the gun shields.<\/p>\n<p><a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> Zaloga, location 1100 in Kindle edition.<\/p>\n<p><a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> Zaloga, location 2620 in Kindle edition.<\/p>\n<p><a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a> Whelan, Richard, <em>This is War! Robert Capa at Work<\/em>, Steidl\/International Center for Photography, 2007. P. 235.<\/p>\n<p><a href=\"#_ftnref6\" name=\"_ftn6\">[6]<\/a> A full analysis of this part of the timeline is beyond the scope of this article. For now, suffice it to say he had left the engine room and was back on deck within just two or three minutes of the shells striking home.<\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p style=\"text-align: center;\"><strong>Acknowledgement<\/strong><\/p>\n<p>I would like to extend my thanks to Mr. John France, <a href=\"http:\/\/usslci.org\/\" target=\"_blank\" rel=\"noopener\">USS LCI National Association<\/a>, for his kind assistance. He and many other great individuals are doing wonderful work keeping this bit of history alive and relevant. Thank you!<\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p style=\"text-align: center;\"><strong>Notes on sources<\/strong><\/p>\n<p>Steven Zaloga&#8217;s <em>The Devil&#8217;s Garden, Rommel&#8217;s Desperate Defense of Omaha Beach on D-Day<\/em> (Stackpole Books) is yet another outstanding book from probably the best author on the technical aspects of this battle, as well as many other military technologies, especially armored vehicles. I wholeheartedly recommend this book to serious students of Omaha Beach on D-Day. His many other published works serve as the definitive resources for their subject matter. As <em>The Devil&#8217;s Garden<\/em> relates to this project, I would merely point out that he said <em>LCI(L)-94<\/em>&#8216;s beaching site was &#8220;nearby&#8221; that of <em>LCI(L)-92<\/em>, which would have been almost 3000 yards west of the actual spot. This mistake is understandable, as that was generally where it should have landed and where some of the crew thought it did land. His book was published in 2013, before <em>LCI(L)-94<\/em>&#8216;s actual beaching site was established.<\/p>\n<p>Greg H. Williams, <em>The US Navy at Normandy: Fleet Organization and Operations in the D-Day Invasion<\/em>, (McFarland &amp; Company, Inc., 2020). This book is perhaps the naval counterpart to Zaloga&#8217;s, except that Williams&#8217;s volume covers a much broader subject matter, but in much the same depth. At well over 600 pages, the wealth of information it contains is staggering. Williams&#8217;s is the only source outside our own project that has identified both Ruley and Capa as aboard <em>LCI(L)-94<\/em>. Unfortunately, he does not cite his source, but I would like to think he was influenced by our <a href=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/2017\/05\/14\/guest-post-24-charles-herrick-on-capas-d-day-e\/\">Guest Post 24 (May 2017)<\/a> on that very subject. Regardless of that vanity, this is another important reference for a serious student of the campaign.<\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p><em>Text copyright \u00a9 2021 by Charles Herrick. All rights reserved.<\/em><\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p>(For an index of links to all posts in this series,\u00a0<a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/major-stories\/robert-capa-on-d-day\/\">click here<\/a>.)<\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p><a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2015\/06\/Charles_Herrick.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-26295 alignright\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2015\/06\/Charles_Herrick.jpg\" alt=\"Charles Herrick\" width=\"150\" height=\"199\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2015\/06\/Charles_Herrick.jpg 465w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2015\/06\/Charles_Herrick-113x150.jpg 113w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2015\/06\/Charles_Herrick-400x531.jpg 400w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><em>Charles Herrick joined the U.S. Army in 1970 and graduated from the U.S. Military Academy at West Point in 1974. Commissioned in the Infantry, he earned the Ranger tab and Master Parachutist&#8217;s wings. He served in a variety of positions from company grade officer to the Pentagon. He earned the Combat Infantryman&#8217;s badge while assigned as the Operations Officer of the 193rd Infantry Brigade in Panama in 1989, and later graduated from the U.S. Army War College.<\/em><\/p>\n<p><em>Since retiring from the Army in 1996, Herrick has continued to work on defense issues as a contractor in East Asia, Latin America, the Balkans, Africa and Central Asia. He holds an MBA from the University of California at Los Angeles. He lives in California with his wife, where he pursues his passion for military history. To contact Charles Herrick, <a href=\"mailto:CHerr41083@aol.com\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>So when did Capa board LCI(L)-94? I believe it was at the end of the ship\u2019s first beaching, before it shifted 100 yards down the beach. But that would have been a far less dramatic tale, so he crafted a hodge-podge story based on details he later observed around the ship and inserted himself into it. [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[12,945,946],"tags":[958,957,1434,2070,2071,1115,969],"class_list":["post-43120","post","type-post","status-publish","format-standard","hentry","category-guest-post","category-photo-history","category-photojournalism-2","tag-charles-jarreau","tag-clifford-w-lewis","tag-david-t-ruley","tag-lcil-94","tag-mark-graham","tag-pieter-jutte","tag-richard-whelan","odd"],"_links":{"self":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/posts\/43120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/comments?post=43120"}],"version-history":[{"count":0,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/posts\/43120\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/media?parent=43120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/categories?post=43120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/tags?post=43120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}