{"id":997,"date":"2009-08-02T22:51:51","date_gmt":"2009-08-03T02:51:51","guid":{"rendered":"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?page_id=997"},"modified":"2020-04-22T10:13:43","modified_gmt":"2020-04-22T14:13:43","slug":"curatorial","status":"publish","type":"page","link":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/projects-ongoing\/curatorial\/","title":{"rendered":"Curatorial Activities"},"content":{"rendered":"<p>Since 2005, exhibitions that I&#8217;ve curated have opened at museums and galleries in Canada, China, Finland, Hong Kong, Italy, Rumania, Slovakia, Spain, Taiwan, and the U.S. Here are brief descriptions of these shows, links to online sources of further information, plus some QuickTime movies and html slideshows about these projects.<\/p>\n<h3 style=\"text-align: center;\">Current\/Past<\/h3>\n<div id=\"attachment_11838\" style=\"width: 226px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2012\/05\/BOUL005b.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-11838\" loading=\"lazy\" class=\" wp-image-11838 \" title=\"BOUL005b\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2012\/05\/BOUL005b-300x300.jpg\" alt=\"Lui Xia, &quot;Untitled&quot; (1996-99). Photograph \u00a9 Liu Xia.\" width=\"216\" height=\"216\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2012\/05\/BOUL005b-300x300.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2012\/05\/BOUL005b-150x150.jpg 150w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2012\/05\/BOUL005b-400x400.jpg 400w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2012\/05\/BOUL005b.jpg 500w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/><\/a><p id=\"caption-attachment-11838\" class=\"wp-caption-text\">Lui Xia, &#8220;Untitled&#8221; (1996-99). Photograph \u00a9 Liu Xia.<\/p><\/div>\n<p><a href=\"http:\/\/liuxiaphotos.info\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Silent Strength of Liu Xia<\/strong><\/a>, a touring exhibition of black &amp; white photos by the dissident Chinese artist, photographer, and poet.\u00a0Curated with Guy Sorman.\u00a0The negatives (most dated between 1996 and 1999) were made with\u00a0an old Russian 2-1\/4 twin-lens reflex camera; most of them were exposed in her Beijing apartment. Their nominal subjects are still-life arrangements of an assortment of \u00a0what she calls\u00a0\u201dugly kids\u201d dolls that a friend brought her years ago from Brazil.<\/p>\n<p>Liu Xia, wife of the imprisoned 2010 Nobel Peace Prize awardee Liu Xiaobo, currently lives under house arrest. Produced secretly in Beijing, the dramatically oversized prints in this exhibition were extracted from the PRC one at a time in a process supervised by the intrepid journalist and social commentator\u00a0<a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-admin\/post.php?post=269&amp;action=edit\">Guy Sorman<\/a>, author of the scathing critique <em>The\u00a0Empire of Lies: The Truth about China in the Twenty-First Century<\/em>\u00a0(French edition 2008, English edition 2010) and numerous other texts about China.<\/p>\n<p>This show began its tour in October 2011, and will tour indefinitely \u2014 at least until both Liu Xia and Liu Xiaobo are freed by the Chinese government. A project of\u00a0<a href=\"http:\/\/flyingdragononline.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Flying Dragon LLC<\/a>.\u00a0For details,\u00a0<a href=\"http:\/\/liuxiaphotos.info\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/p>\n<h3 style=\"text-align: center;\">\u25a0<\/h3>\n<p><strong><a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/bk-saga-catalog1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-11876\" title=\"bk-saga-catalog1\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/bk-saga-catalog1.jpg\" alt=\"Saga monograph cover\" width=\"162\" height=\"176\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/bk-saga-catalog1.jpg 162w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/bk-saga-catalog1-138x150.jpg 138w\" sizes=\"auto, (max-width: 162px) 100vw, 162px\" \/><\/a><a href=\"http:\/\/www.fep-photo.org\/exhibition\/saga-the-journey-of-arno-rafael-minkkinenphotographs-1970-2005\/\" target=\"_blank\" rel=\"noopener noreferrer\">Saga: The Journey of Arno Rafael Minkkinen<\/a><\/strong>. A 35-year retrospective of the work of this Finnish-American photographer. Curated with Todd Brandow.\u00a0Accompanied by a full catalogue\/monograph, published by Chronicle Books, with texts by myself, Alan Lightman, Arthur C. Danto, and Minkkinen. A project of the\u00a0<a href=\"http:\/\/www.fep-paris.org\/china.html\" target=\"_blank\" rel=\"noopener noreferrer\">Foundation for the Exhibition of Photography<\/a>.<\/p>\n<ul>\n<li><em>Saga<\/em> premiere, at the the\u00a0<a href=\"http:\/\/www.decordova.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">DeCordova Museum and Sculpture Park<\/a> in Lincoln, MA, September 9, 2005-January 5, 2006. For commentary, <a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/burners\/burner25.html\" target=\"_self\" rel=\"noopener noreferrer\">click here<\/a>.<\/li>\n<li><em>Saga<\/em> at the Lianzhou International Photography Festival (LIPF), December 5-19, 2006. For commentary,<a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/burners\/burner30.html\" target=\"_self\" rel=\"noopener noreferrer\"> click here<\/a>.<\/li>\n<li><em>Saga<\/em> at See+ Art Space\/Gallery, Beijing, China, May 17-September 28,\u00a02008.\u00a0For commentary,\u00a0<a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/burners\/burner36.html\" target=\"_self\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a<a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/images\/Saga_Beijing_May_2008.html\" target=\"_blank\" rel=\"noopener noreferrer\"> Quicktime slideshow\u00a0of the installation and opening, click here.<\/a><\/li>\n<\/ul>\n<p style=\"text-align: center;\">\u25a0<\/p>\n<div id=\"attachment_3233\" style=\"width: 250px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/china_yu025.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3233\" loading=\"lazy\" class=\" wp-image-3233 \" title=\"china_yu02\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/china_yu025.jpg\" alt=\"\" width=\"240\" height=\"156\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/china_yu025.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/china_yu025-150x97.jpg 150w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-3233\" class=\"wp-caption-text\">Yu Haibo, &#8220;Night Moves,&#8221; 2001<\/p><\/div>\n<p><a href=\"http:\/\/www.fep-photo.org\/exhibition\/chinainsights\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>China: Insights<\/strong><\/a>. A cross-section of contemporary documentary work from mainland China, exploring the transition from the rural\/agrarian environment to the urban\/industrial setting in the new PRC. Photographs by: Chen Yuanzhong, Hua Er, Jia Yuchuan, Li Nan, Yang Yankang, Yu Haibo, and Zhang Xinmin.\u00a0Curated with Gu Zheng of the Dept. of Visual Culture, Fudan University, Shanghai. A project of the <a href=\"http:\/\/www.fep-paris.org\/china.html\" target=\"_blank\" rel=\"noopener noreferrer\">Foundation for the Exhibition of Photography<\/a>, in collaboration with <a href=\"http:\/\/flyingdragononline.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Flying Dragon Cultural Enterprises<\/a>. Tour dates: April 2008-December 2012.<\/p>\n<ul>\n<li><em>China: Insights <\/em>premiere, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK, April 18, 2008. For a\u00a0<a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/Insights_Premiere_04_0924.mov\" target=\"_blank\" rel=\"noopener noreferrer\">QuickTime movie<\/a> or\u00a0<a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/images\/Insights_Premiere_08.html\" target=\"_blank\" rel=\"noopener noreferrer\">HTML slideshow<\/a> of the installation and opening, click on the preceding links.<\/li>\n<li><em>China: Insights<\/em> at the Light Factory, Charlotte, NC, January 15-March 29, 2009.<\/li>\n<li><em>China: Insights<\/em> at the May Gallery, Webster University, St. Louis, MO, February 26-March 26, 2010.<\/li>\n<\/ul>\n<p style=\"text-align: center;\">\u25a0<\/p>\n<p><strong><a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/See_Gallery_Uelsmann_poster.gif\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-11878\" title=\"See_Gallery_Uelsmann_poster\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/See_Gallery_Uelsmann_poster.gif\" alt=\"See+ Gallery, Uelsmann poster, 2008\" width=\"120\" height=\"175\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/See_Gallery_Uelsmann_poster.gif 120w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/08\/See_Gallery_Uelsmann_poster-102x150.gif 102w\" sizes=\"auto, (max-width: 120px) 100vw, 120px\" \/><\/a><a href=\"http:\/\/www.seegallery.net\/exhibition\/exhibition.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">See+ Art Space\/Gallery, Beijing, China<\/a><\/strong>. Beginning in spring 2008, I curated 7 exhibitions involving 13 photographers for this new commercial gallery in Beijing&#8217;s famous 798 Art District, a large cluster of repurposed industrial structures. All of these have been accompanied by substantial catalogues with curatorial texts. In all cases to date except Minkkinen&#8217;s and Uelsmann&#8217;s, these exhibitions have represented the first exposure of their work to the audience in mainland China. (Minkkinen&#8217;s work made its PRC debut under my supervision at the Lianzhou International Photography Festival in December 2006; see above.\u00a0Uelsmann had a major retrospective in Beijing in 2006, with a substantial catalogue but no accompanying gallery show.)<\/p>\n<ul>\n<li><em>Saga: The Journey of Arno Rafael Minkkinen<\/em>, May 17-September ??,\u00a02008. For my curatorial essay on Minkkinen,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=43\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of his pictures, <a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=43\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For commentary,\u00a0<a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/burners\/burner36.html\" target=\"_self\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a Quicktime slideshow\u00a0of the installation and opening, <a href=\"http:\/\/nearbycafe.com\/artandphoto\/cspeed\/images\/Saga_Beijing_May_2008.html\" target=\"_blank\" rel=\"noopener noreferrer\">click here.<\/a><\/li>\n<li><em>Prima Facie\/Circumstantial Evidence<\/em>, Jerry Uelsmann and Maggie Taylor, October 25-??2008.\u00a0For my curatorial essay on Uelsmann,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=60\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of his pictures, <a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=60\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For my curatorial essay on Taylor,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=44\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of her pictures, <a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=44\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/li>\n<li><em><a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/09\/light_quartet_cover_sm3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright wp-image-6901 \" title=\"light_quartet_cover_sm\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/09\/light_quartet_cover_sm3.jpg\" alt=\"Light Quartet catalogue cover\" width=\"200\" height=\"200\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/09\/light_quartet_cover_sm3.jpg 300w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2009\/09\/light_quartet_cover_sm3-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Light Quartet<\/em>, a four-person show by Kate Breakey, Connie Imboden, Jerry Spagnoli, and Robert Stivers,\u00a0June 6-July 18, 2009. Introducing the audience in mainland China to four mid-career photographers from the U.S. (Breakey, who emigrated from Australia, now lives and works in Tucson, AZ.) I chose these picture-maker to represent the diversity of craft practice and image content among the creative photographers of their generation in the west. <a href=\"http:\/\/vasa-project.com\/gallery\/light_quartet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Click here for an online version of this catalogue<\/a>, augmented with additional materials, at the VASA Project.<\/li>\n<li><em>Two American Masters: Wynn Bullock and Harold Feinstein<\/em>, March 20-May 15, 2010. For my curatorial essay on Bullock,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=51\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of his pictures,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=51\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For my curatorial essay on Feinstein,\u00a0<a href=\"http:\/\/www.seegallery.net\/en\/onews.asp?id=279\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of his pictures,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=45\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For my commentary in Chinese, <a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=45\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>. For a QuickTime slideshow of the installation and opening,<a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/Bullock-Feinstein-Beijing-20105.mov\" target=\"_blank\" rel=\"noopener noreferrer\"> click here<\/a>.<\/li>\n<li><em>Two American Masters: Ralph Gibson and Arthur Tress<\/em>, January 10-March 15, 2011. For my curatorial essay on Gibson,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=47\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of his pictures,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=47\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For my curatorial essay on Tress,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=56\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a\u00a0light-table display of his pictures,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=56\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/li>\n<li><em>Mary Ellen Mark: Portrait as Document<\/em>, June 4, 2011-September 1, 2011.\u00a0For my curatorial essay,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=48\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a light-table display of the pictures, <a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=48\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/li>\n<li><em>George Tice:\u00a0The Poetry of the Everyday<\/em>, June 4, 2011-September 1, 2011.\u00a0For my curatorial essay,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_coment.aspx?id=53\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.\u00a0For a light-table display of the pictures,\u00a0<a href=\"http:\/\/www.seegallery.net\/artist\/artist_work.aspx?id=53\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/li>\n<\/ul>\n<p>The long-term goal of this series of small, concentrated exhibitions is to present a cross-section of work from the west, most of it produced post-1940, to inform the growing audience for photography in mainland China of the diversity of content and image-making practices among photographers from the west.<\/p>\n<h3 style=\"text-align: center;\"><strong>Hypothetical\/Proposed<\/strong><\/h3>\n<div id=\"attachment_3224\" style=\"width: 125px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/CL-0075.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-3224\" loading=\"lazy\" class=\" wp-image-3224 \" title=\"CL-007\" src=\"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/CL-0075-192x300.jpg\" alt=\"Harold Feinstein, &quot;Boy &amp; Chalk Numbers,&quot; 1955\" width=\"115\" height=\"180\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/CL-0075-192x300.jpg 192w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/CL-0075-96x150.jpg 96w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/03\/CL-0075.jpg 384w\" sizes=\"auto, (max-width: 115px) 100vw, 115px\" \/><\/a><p id=\"caption-attachment-3224\" class=\"wp-caption-text\">Harold Feinstein, &#8220;Boy &amp; Chalk Numbers,&#8221; 1955<\/p><\/div>\n<p><strong>Heart of the Matter: Harold Feinstein, Photographs 1946-2011.<\/strong>\u00a0A 65-year retrospective of the work of this American photographer. Accompanied by a full catalogue\/monograph, with texts by myself and Feinstein, plus a feature-length documentary film on the photographer.<\/p>\n<p>Despite an intensive marketing campaign across the U.S. and Canada 2009-2011, I found no takers for this proposed touring exhibition. Nor did either the accompanying catalogue\/monograph or the documentary film eventuate.\u00a0Thus it remains purely a curatorial idea, unrealized in physical form, actualized only in cyberspace \u2014 the internet serving the function of Andr\u00e9 Malraux&#8217;s &#8220;imaginary museum.&#8221; For details,\u00a0<a href=\"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?page_id=3294\" target=\"_self\" rel=\"noopener noreferrer\">click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since 2005, exhibitions that I&#8217;ve curated have opened at museums and galleries in Canada, China, Finland, Hong Kong, Italy, Rumania, Slovakia, Spain, Taiwan, and the U.S. Here are brief descriptions of these shows, links to online sources of further information, plus some QuickTime movies and html slideshows about these projects.<\/p>\n<p> Current\/Past <\/p>\n<p id=\"caption-attachment-11838\" class=\"wp-caption-text\">Lui Xia, [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7657,"menu_order":5,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-997","page","type-page","status-publish","hentry","odd"],"_links":{"self":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/comments?post=997"}],"version-history":[{"count":0,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/997\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/7657"}],"wp:attachment":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/media?parent=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}