{"id":25089,"date":"2015-02-27T13:27:02","date_gmt":"2015-02-27T18:27:02","guid":{"rendered":"http:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/?page_id=25089"},"modified":"2015-02-27T13:33:10","modified_gmt":"2015-02-27T18:33:10","slug":"major-series-2010","status":"publish","type":"page","link":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/major-stories\/major-series-2010\/","title":{"rendered":"Major Series: 2010"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Major Series: 2010<\/strong><\/p>\n<p><a href=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/major-stories\/norsigianadams-controversy\/\">Norsigian\/Adams Controversy.<\/a> On July 27, 2010, Fresno, CA public-school employee Rick Norsigian and a team of &#8220;experts&#8221; went public with the claim that 65 glass-plate negatives Norsigian acquired in 2000 at a yard sale for $45 represented &#8220;The Lost Negatives of Ansel Adams,&#8221; worth $200 million. This sensational news quickly circulated internationally.<\/p>\n<p>Learning of this while on a sojourn in China, I began to track, investigate, and comment on this story as it developed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p style=\"text-align: center;\">Major Series: 2010<\/p>\n<p>Norsigian\/Adams Controversy. On July 27, 2010, Fresno, CA public-school employee Rick Norsigian and a team of &#8220;experts&#8221; went public with the claim that 65 glass-plate negatives Norsigian acquired in 2000 at a yard sale for $45 represented &#8220;The Lost Negatives of Ansel Adams,&#8221; worth $200 million. This sensational news quickly [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7613,"menu_order":2,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-25089","page","type-page","status-publish","hentry","odd"],"_links":{"self":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/25089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/comments?post=25089"}],"version-history":[{"count":0,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/25089\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/7613"}],"wp:attachment":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/media?parent=25089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}