{"id":2480,"date":"2010-01-02T20:40:17","date_gmt":"2010-01-03T00:40:17","guid":{"rendered":"http:\/\/nearbycafe.com\/artandphoto\/photocritic\/?page_id=2480"},"modified":"2010-01-02T20:40:17","modified_gmt":"2010-01-03T00:40:17","slug":"anthologiesencyclopedias","status":"publish","type":"page","link":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/about-a-d-coleman\/adc-in-print-and-pixels\/anthologiesencyclopedias\/","title":{"rendered":"Anthologies\/Encyclopedias"},"content":{"rendered":"<p>These books include essays by A. D. Coleman. To order copies of any of them (including out-of-print titles), click on the book&#8217;s title, if it&#8217;s a link.<\/p>\n<table width=\"470\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\" bgcolor=\"#ffffff\">\n<tbody>\n<tr>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"121\">\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/006172856X?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=006172856X\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2527\" title=\"strauss\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/strauss4.jpg\" alt=\"\" width=\"92\" height=\"139\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/strauss4.jpg 200w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/strauss4-100x150.jpg 100w\" sizes=\"auto, (max-width: 92px) 100vw, 92px\" \/><\/a><\/p>\n<\/td>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/0240807405?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0240807405\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2497\" title=\"focal\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/focal4.jpg\" alt=\"\" width=\"104\" height=\"139\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/focal4.jpg 128w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/focal4-112x150.jpg 112w\" sizes=\"auto, (max-width: 104px) 100vw, 104px\" \/><\/a><\/td>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"121\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2498\" title=\"documenti\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/documenti4.jpg\" alt=\"\" width=\"111\" height=\"144\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/documenti4.jpg 231w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/documenti4-115x150.jpg 115w\" sizes=\"auto, (max-width: 111px) 100vw, 111px\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" bgcolor=\"#ffffff\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/006172856X?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=006172856X\" target=\"_blank\">Death Becomes Them: Unearthing the Suicides of the Brilliant, the Famous, and the Notorious<\/a><\/em>, by Alix Strauss (New York: Harper, 2009)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0240807405?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0240807405\" target=\"_blank\">Focal Encyclopedia of Photography<\/a><\/em>, 4th ed., edited by Michael Peres (Burlington, MA: Focal Press, 2007)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em>Documenti E Finzioni: Le Monstre Americane Negli Anni Sessanta E Settanta<\/em>, edited by Maria Antonella Pelizzari (Turin: Agora Editrice, 2006)<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"121\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2543\" title=\"kemp\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/kemp5.jpg\" alt=\"\" width=\"90\" height=\"130\" \/><\/td>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/3791333364?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=3791333364\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2525\" title=\"prestel_icons\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/prestel_icons4.jpg\" alt=\"\" width=\"106\" height=\"133\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/prestel_icons4.jpg 185w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/prestel_icons4-120x150.jpg 120w\" sizes=\"auto, (max-width: 106px) 100vw, 106px\" \/><\/a><\/td>\n<td valign=\"top\" bgcolor=\"#ffffff\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/3791320769?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=3791320769\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2524\" title=\"fotografie_20th_sm\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/fotografie_20th_sm4.jpg\" alt=\"\" width=\"98\" height=\"139\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/fotografie_20th_sm4.jpg 170w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/fotografie_20th_sm4-106x150.jpg 106w\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em>Theorie der Fotografie<\/em>, edited by Wolfgang Kemp (Munich: Schirmer\/Mosel, 2006)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/3791333364?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=3791333364\" target=\"_blank\">Icons of Photography: The 20th Century<\/a><\/em>, edited by Peter Stepan (Munich: Prestel Publishing, 2005)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/3791320769?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=3791320769\" target=\"_blank\">Fotografie: Das 20. Jahrhundert<\/a><\/em>, edited by Peter Stepan (Munich: Prestel Publishing, 1999)<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/3791319957?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=3791319957\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2545\" title=\"promise\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/promise4.jpg\" alt=\"\" width=\"106\" height=\"136\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/promise4.jpg 187w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/promise4-116x150.jpg 116w\" sizes=\"auto, (max-width: 106px) 100vw, 106px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/0132540959?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0132540959\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2546\" title=\"hulick\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/hulick4.jpg\" alt=\"\" width=\"102\" height=\"136\" \/><\/a><\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/0023195908?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0023195908\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2547\" title=\"carroll\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/carroll4.jpg\" alt=\"\" width=\"90\" height=\"136\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/3791319957?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=3791319957\" target=\"_blank\">The Promise of Photography: the DG Bank Art Collection<\/a><\/em>, edited by Luminita Sabau Munich: Prestel, 1998)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0132540959?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0132540959\" target=\"_blank\">Photography: 1900 to the Present<\/a><\/em>, edited by Diana Emery Hulick and Joseph Marshall (New York: Prentice Hall, 1997)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0023195908?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0023195908\" target=\"_blank\">Dialogs: Reading and Writing in the Disciplines<\/a><\/em>, edited by Jeffrey Carroll (New York: Macmillan, 1992)<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/087975480X?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=087975480X\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2555\" title=\"esco\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/esco4.jpg\" alt=\"\" width=\"98\" height=\"146\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/esco4.jpg 109w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/esco4-100x150.jpg 100w\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/0826310915?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0826310915\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2556\" title=\"goldberg3\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/goldberg34.jpeg\" alt=\"\" width=\"101\" height=\"151\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/goldberg34.jpeg 140w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/goldberg34-100x150.jpg 100w\" sizes=\"auto, (max-width: 101px) 100vw, 101px\" \/><\/a><\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/0879051310?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0879051310\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2557\" title=\"weston2\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/weston24.jpg\" alt=\"\" width=\"119\" height=\"151\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/weston24.jpg 189w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/weston24-118x150.jpg 118w\" sizes=\"auto, (max-width: 119px) 100vw, 119px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/087975480X?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=087975480X\" target=\"_blank\">Esthetics Contemporary<\/a><\/em><a href=\"http:\/\/www.amazon.com\/gp\/product\/087975480X?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=087975480X\" target=\"_blank\">,<\/a> edited by Richard Kostelanetz (Buffalo, NY: Prometheus Books, 1989)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0826310915?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0826310915\" target=\"_blank\">Photography in Print: Writings from 1816 to the Present<\/a><\/em>, edited by Vicki Goldberg (Albuquerque: Univ. of New Mexico Press, 1988)<\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0879051310?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0879051310\" target=\"_blank\">Edward Weston Omnibus: A Critical Anthology<\/a><\/em>, edited by Amy Conger and Beaumont Newhall (Layton, UT: Gibbs Smith, 1984)<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2560\" title=\"kuvista_sanoin_2\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/kuvista_sanoin_24.jpg\" alt=\"\" width=\"95\" height=\"162\" srcset=\"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/kuvista_sanoin_24.jpg 132w, https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/kuvista_sanoin_24-88x150.jpg 88w\" sizes=\"auto, (max-width: 95px) 100vw, 95px\" \/><\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2562\" title=\"dbce81b0c8a01bd05ccab110.L\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/dbce81b0c8a01bd05ccab110.L4.jpg\" alt=\"\" width=\"113\" height=\"173\" \/><\/td>\n<td style=\"text-align: center;\" valign=\"top\" width=\"121\"><a href=\"http:\/\/www.amazon.com\/gp\/product\/B001ROC8AI?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B001ROC8AI\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2561\" title=\"columbia\" src=\"http:\/\/74.220.207.133\/~nearbyca\/artandphoto\/photocritic\/wp-content\/uploads\/2010\/01\/columbia4.jpg\" alt=\"\" width=\"122\" height=\"140\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"121\"><em>Kuvista sanoin 2<\/em>, edited by Martti Lintunen (Helsinki: Suomen valokuvataiteen museon s\u00e4\u00e4ti\u00f6, 1984)<\/td>\n<td valign=\"top\" width=\"121\"><em>Photography in Print: Writings from 1816 to the Present<\/em>, edited by Vicki Goldberg (New York: Touchstone\/Simon &amp; Schuster, 1981)<\/td>\n<td valign=\"top\" width=\"121\"><em><a href=\"http:\/\/www.amazon.com\/gp\/product\/B001ROC8AI?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B001ROC8AI\" target=\"_blank\">The New Columbia Encyclopedia<\/a><\/em><a href=\"http:\/\/www.amazon.com\/gp\/product\/B001ROC8AI?ie=UTF8&amp;tag=thenearbycafe-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B001ROC8AI\" target=\"_blank\">, 4th revised ed<\/a>., edited by William H. Harris and Judith Levey (New York: Columbia Univ. Press, 1975)<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"121\"><\/td>\n<td valign=\"top\" width=\"121\"><\/td>\n<td valign=\"top\" width=\"121\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>These books include essays by A. D. Coleman. To order copies of any of them (including out-of-print titles), click on the book&#8217;s title, if it&#8217;s a link.<\/p>\n<p style=\"text-align: center;\">\n<p> Death Becomes Them: Unearthing the Suicides of the Brilliant, the Famous, and the Notorious, by Alix Strauss (New York: Harper, 2009) Focal Encyclopedia of Photography, [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2572,"menu_order":6,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-2480","page","type-page","status-publish","hentry","odd"],"_links":{"self":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/2480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/comments?post=2480"}],"version-history":[{"count":0,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/2480\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/pages\/2572"}],"wp:attachment":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/photocritic\/wp-json\/wp\/v2\/media?parent=2480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}