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Whither World Press Photo? (1)

I’m not sure if anyone today expects press photography generally, or particular stories told in that form, to change the world; I certainly don’t. At the same time, because we become what we behold, I don’t think that anyone in the field doubts that press photography is a process of perception management, and thus shapes the world in important ways. Much of the decision-making is of course in the hands of management and capital. However, I find it hard to believe that photojournalists and their agencies and their editors are entirely hapless pawns in the hands of witless and/or malevolent but all-powerful publishing cartels. […]

BigYellowDaddy Takes Our Kodachrome Away

I try my best to keep up with whatever news affects me as a member of our lens culture, I attend some of the trade expos, I talk with and listen closely to photographers, I observe at first hand what goes on in photo-education programs around the world, and I make a point of reading the handwriting on the walls. So, when Eastman Kodak announced on June 22 that it had ceased production of Kodachrome film after 74 years, I didn’t consider that at all surprising. Indeed, I found myself in the odd position of thinking “I told you so.” […]

Teaching the Business of Art

Why should student artists get special tutorials in “the business of being an artist” when no one seems to think that student anthropologists need special instruction in the business of being an anthropologist? Do we assume that young artists, as distinct from young physicists or historians or literary scholars, are special-needs cases meriting the pre-professional equivalent of training bras to ready them for the elementary truth that once they leave school they’ll have to earn a living somehow? […]