Salgado combines what Fred Ritchin calls a “stately lyricism” with an alertness to the drama embedded in the everydayness of hardscrabble subsistence, marginal survival and imminent death. […]
Salgado combines what Fred Ritchin calls a “stately lyricism” with an alertness to the drama embedded in the everydayness of hardscrabble subsistence, marginal survival and imminent death. […] Our new house in Stone Ridge, NY provides a perfect setting for pursuing my current front-burner project, the various permutations of the Capa D-Day investigation, while organizing my papers and other professional materials into a coherent archive for eventual deposit with an appropriate institution. […] You don’t have to deal with people you don’t admire. I have severed a lot of relationships with people whose behavior patterns and philosophies were not mine. I’m not saying that they were criminal, or wrong, or even unethical; they were just not on my ethical wavelength, and I could not deal with that. […] Photographers have rights, which must be identified and protected. They also enjoy privileges that can be withdrawn at any time by widespread public agreement and legislation. The subjects of photographs also have rights, which also must be identified and protected. And some of those rights of subjects absolutely supersede the rights of photographers. […] |
Time Capsule 1971: Collier’s Encyclopedia Yearbook
Two small items must be appended to this report. First, a Japanese newspaper announced that the waters near Mount Fuji were so polluted that one could develop photographs therein and get recognizable if fuzzy results. And the Allied Impex Corporation, after its success with this item last Christmas, announced that it was again planning to market its Mick-a-Matic — an Instamatic camera built into a large and colorful Mickey Mouse head — during the holiday season. […]