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Alternate History: Robert Capa, John Morris, and the NPPA (1)

We must consider the decision by Donald R. Winslow of the National Press Photographers Aassociation (NPPA) to employ a suspect journalistic approach for this particular article — the discredited “he said, she said” model — and his choice of writer to practice it on this set of issues as calculated, not inadvertent, and definitely not ignorant or uninformed. […]

Forgotten Laurels: John Szarkowski and Cornell Capa (1995)

Looking at John Szarkowski’s photographs and Cornell Capa’s, asking myself — based on that early evidence of personal tendency and taste — which of the two had surprised me most as advocates for photography by transcending the narrow-mindedness to which performers in any medium are prone in order to create an institutional environment with an atmosphere of tolerance and encouragement for all, the unequivocal answer that came was Cornell Capa. […]

Alternate History: Robert Capa on D-Day, 21

It’s at once sad and comical to watch Morris and his coterie scrambling to find rationales, no matter how unlikely and absurd, for the impossibilities and contradictions in the various versions of Capa’s D-Day actions and the fate of his negatives that they’ve peddled over the past seven decades. Right now they’re making it up as they go along — and making fools of themselves as they do so. […]

Alternate History: Robert Capa on D-Day, 20

Morris has told this story hundreds of times since 1947, almost word for word every time (to judge by the dozens of such performances on record in print, audio, and video formats). Suddenly, at the age of 98, he conveniently recalls a crucial new detail for the very first time. I find it impossible to take seriously Morris’s recovered memory of the purported “advance packet” he now claims to have received on June 7, 1944 containing Capa’s pre-invasion films. […]

Alternate History: Robert Capa on D-Day, 19

The chances of Capa finding any way to get his pre-invasion films from the Chase, a Coast Guard ship, to Scherman’s Navy LST and into Scherman’s hands in that vast armada are slim to none. That’s without even asking why Capa would put Coast Guard and Navy and Army personnel to all that trouble simply to transfer to Scherman only his 35mm rolls (rather than his entire take) of what Morris has acknowledged were merely stock shots. […]