Contrary to picture editor John Morris’s narrative, these “damaged” frames actually show us samples of film that has received proper development, fixing, and drying. They also appear to have suffered drastic in-camera overexposure. If they typify the three rolls that held Capa’s estimated 106 exposures from Omaha Beach, then all but the “Magnificent Eleven” frames arrived at LIFE‘s London offices irreversibly overexposed (by Capa himself) in their pupal or latent-image stage. […]
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June 12th, 2014 | Tags: Ctein, Cynthia Young, D-Day, Dennis Banks, International Center of Photography, John Morris, LIFE magazine, Robert Capa, Time-Life | Category: Analog Photography, News Commentary, Photo History, Photojournalism | 10 comments |
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Guest Post 12: Rob McElroy on Robert Capa
The TIME video shows all of Capa’s original black & white negatives from June 6, 1944 (only nine of which have actually survived as original camera negatives), plus nine negatives that are purported to be some of the Capa negatives that were supposedly spoiled during development. The trouble is, the negatives TIME displays in this video, which supposedly show some of the spoiled Capa negatives, are totally faked. These negatives are a complete fabrication — and nowhere in the video do the producers explain what they did, how they did it, or why. […]