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Alternate History: Robert Capa and ICP (1)

The promulgation of a fictionalized version of Robert Capa’s actions on D-Day and the subsequent fate of his Omaha Beach negatives constitute the worm in the apple, the rot at the very core of the foundation myth of the International Center of Photography — the Center’s “original sin,” as it were, the first skeleton in its closet. Known to ICP’s founder, Cornell Capa, Robert’s younger brother, as far back as 1944, the truth got papered over long before ICP was even a gleam in Cornell’s eye. […]

Guest Post 21: Q&A with Patrick Jeudy (b)

We agreed to meet Morris for lunch once, him and his “bodyguards.” His issue was in fact our lack of “tact” in the way we cast light on the “Falling Soldier” story. He listened to our arguments. I must say I got a little frustrated, saying that we would fight to the end … my producer was wiser, and conceded. […]

Guest Post 21: Q&A with Patrick Jeudy (a)

Cornell Capa’s intervention, as well as that of ICP’s lawyers, was rather brutal. They sent us threatening injunctions. We soon understood they would do whatever it took to stop us from making the movie. […]

Alternate History: Robert Capa and Time/Life (2)

So TIME/LIFE has made a slow-motion but dramatic about-face, going from studiously ignoring the myth of the London darkroom disaster at its public birthing in Charles Wertenbaker’s 1944 book and Capa’s certifying it in his 1947 memoir to enthusiastically promulgating it seven decades later. […]

Alternate History: Robert Capa on D-Day (26)

As for the assertion by Morris’s business partner Robert Pledge that this world-famous picture editor who spent much of his working life talking daily with professional photographers and custom printers and darkroom staffers, handling prints and negatives, his offices just a few steps away from professional darkrooms, has absolutely no idea what goes on in those oh-so-mysterious places — risible, no? […]