Neither the Musée de l’Elysée in Lausanne nor the Maison Européenne de la Photographie in Paris purchased the works deposited with them by Polaroid in the ’90s. Nor did Polaroid do so with the proviso that the institutions then needed to go find funds with which to acquire them. This adds to the accumulating evidence that, in the ’90s, Polaroid sought to find appropriate repositories for chunks of the collections as donations. […]
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As a belated Christmas gift, George H. Singer, Esq., of the Minneapolis law firm Lindqvist & Vennum, legal counsel to John R. Stoebner, the court-appointed Chapter 7 Trustee in the PBE Corporation bankruptcy proceeding, sent me a “Notice and Demand” letter dated December 30, 2009, indicating his unhappiness, and his client’s, with some of the reportage and commentary posted here. I responded, and he replied, and I replied in turn, in a full and frank exchange of views. You’ll find our collected correspondence here. […] The proposed sell-off of the historic Polaroid Collection has moved a step closer to reality with the announcement by Sotheby’s of dates for the auction: June 21-22, 2010. If the sale does go through as planned and on schedule, it will take place well after the spring art-market season has come and gone and the art and photo worlds have closed up shop for the summer — not to mention in the midst of a deep global recession that has hit the art market hard and the photo market especially hard, with no immediate improvement on the event horizon. […] |
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Polaroid Collection: Update 14
If a “fight against the sale of the Polaroid collection” does take place, it will do so because, and only because, plaintiffs with standing — photographers with work in the collection — file either a Motion for Rehearing of the August 27 court decision or an appeal thereof. In relation to that fight, should it ensue, I will function as a cultural journalist commenting on it. What I do lead presently, have led since July ’09, and intend to lead until this situation plays itself out and culminates, is the effort to inform the photography/art audience — including those with work in the collection — of what’s happening in regard to this auction, and how we got to this sorry point. This is a journalistic project, not a legal one, and should be understood as such. […]