The fact that this roll, along with the other films most likely classified top secret, got developed in LIFE‘s darkroom under the supervision of not just darkroom chief H. C. “Braddy” Bradshaw and LIFE staff photographer Hans Wild but also a SHAEF custody officer, precludes any possibility of some fatal neglect during processing. […]
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This makes the Capa portions of Landing on the Edge of Eternity a sorry display of little more than copying and pasting that masquerades as historical research and analysis. […] |
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