Charles Herrick, who has provided most of the military-related analysis published here as part of the Capa D-Day project, has distilled that material into a new book, Back into Focus: The Real Story of Robert Capa’s D-Day. […]
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It is from these two real observations that the story of “Bloody Omaha” was constructed and that it spread very soon after the landings: the most deadly beach overall and the shock of the first wave on certain sectors. It is by following the history of the construction of this narrative that we can understand how Capa’s famous photographs were received and interpreted, and where the (false) idea that they were taken during a terribly deadly assault, that of the first wave at Omaha Beach, came from. […] [Back in August of 2021 Patrick Peccatte introduced me, via email, to Philippe Villéger. Villéger is a member of the informal collective devoted to annotating the historic WWII images of Normandy posted online at PhotosNormandie, another internet project to which Peccatte contributes. (For more about Peccatte, Villéger, and the PhotosNormandie project, see the details at […] [Back in August of 2021 Patrick Peccatte introduced me, via email, to Philippe Villéger. Assiduous followers of this investigation will remember Peccatte, a specialist in photographs of Normandy, as the reader who, at his own his French-language blog Hypotheses, published a response to the Capa D-Day Project that sent it viral in France in summer […] However garbled we find Samuel Fuller’s version of what Capa told him, and no matter how far-fetched the specific detail of a “cocky German officer” seems, there’s no reason to doubt that the meeting between Capa and Fuller took place, nor that their conversation included an exchange about Capa’s D-Day experiences and the photographs he made that day. […] |
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