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Bad Day in Vevey (3)

On a purely practical, bottom-line level, this gang of five — Michel Berney, director of the CEPV; Christian Rossier (on the technical faculty of the CEPV)Pierre Keller of ECAL; local entrepreneur Vincent Juillerat; and Anne-Catherine Lyon, director of the cantonal department of education — took a post-secondary photography program that operated in the black and turned it into a losing proposition, with no clientele, in the space of about 18 months. How very Swiss of them. […]

Bad Day in Vevey (2)

Apparently you intend to “professionalize the work of the CEPV students and to improve their relationship to the field” by removing them in their culminating third year from the guidance of an unprecedented group of established high-profile professional names in those various territories of photography — famous and influential senior figures whose connection to these students can benefit them in many ways — and instead placing those students under the strict supervision of a cluster of Swiss nonentities. The pedagogical rationale for this escapes me. […]

Bad Day in Vevey (1)

Never underestimate the long-term havoc that determined arts-education careerists can wreak in a short time, or the permanent damage (including financial damage) such rampaging functionaries can do to students, faculties, programs, and even entire schools. […]

Garry Winogrand: MonkeyCam Redux at the Met

How seriously are we to take the droppings of a gluttonous voyeur who spent the last seven years of his life producing a third of a million negatives without bothering to look at any of them, much less analyze them critically? This was not a photographer; this was a shooter, afflicted with a textbook case of terminal distraction, the quintessence if not the prototype of the dreaded “Hand With Five Fingers” you have surely seen in camera ads on TV. […]

Guest Post 13: J. Ross Baughman on Omaha Beach (b)

[Editor’s note: Following up on my analysis, in an earlier post, of the timing of Robert Capa’s arrival at and departure from Omaha Beach on the morning of D-Day, June 6, 1944, photojournalist and author J. Ross Baughman brings his experience as a combat photographer to bear on a frame-by-frame analysis of the 10 remaining […]