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Spring Fever 2015: Bits & Pieces

We’ve become the first culture to produce substantially more artists with professional aspirations than our system can possibly absorb. Though more egalitarian than most gatekeeping systems, the photo portfolio review system enables entry to a few while feeding the hopes of the many — “American Idol” writ small, if you will. No harm done, I suppose, and it keeps them off the streets. […]

Alternate History: Robert Capa on D-Day (22)

I’m pleased and proud to announce that this ongoing investigative project, with its working title of “Alternate History: Robert Capa on D-Day,” has just received the 2014 Society of Professional Journalists Sigma Delta Chi (SDX) Award for Research About Journalism.

As its website indicates, “The Society of Professional Journalists, founded 1909, is a professional organization […]

Guest Post 15: J. Ross Baughman on the NPPA (b)

In the best kinds of journalism today, I always hope that a well-seasoned writer will help his subjects’ points of view to shine through it all. Unfortunately, in this latest exercise from the National Press Photographers Association, Bruce Young and Donald Winslow concentrated too much on their own preconceptions. […]

Guest Post 15: J. Ross Baughman on the NPPA (a)

I provided the National Press Photographers Association with timelines and an A-to-Z list of Capa’s D-Day offenses, expecting that these would be effectively condensed in what editor Donald Winslow described as a major feature story for the very next issue of the magazine. Several of my points survive in the nine-page story they created, certainly one of the longest articles I’ve ever seen the magazine publish during my 40 years as a professional photojournalist. Of course I was deeply disappointed when the thrust of my discoveries was diluted, scattered, and dismissed. […]

Allen A. Dutton Turns 93

The surrealist photocollages of Allen A. Dutton began to circulate in the 1960s, linking him to a cohort in photography that, collectively, challenged the photo establishment’s dictates regarding acceptable subject matter and content while, simultaneously, extending the range of approved craft practices. This put him in the company of Jerry Uelsmann, Les Krims, Arthur Tress, Bea Nettles, and other transgressive spirits expanding the definition of photography. […]