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My Camera in the Olive Grove, 2 (1975)

The last thing photography needs, at this point or any other, is a generation of students whose instructors viewed teaching not as a calling but as a sinecure. […]

My Camera in the Olive Grove, 1 (1975)

In evaluating photography’s newly-conferred academic respectability, then, it is important to take note of the implicit premises thereof. Wrapping the mantle of scholarly approval around a medium which has received the cold shoulder from birth is surely a significant attempt at redefinition. […]

Spring Fever 2015: Bits & Pieces

We’ve become the first culture to produce substantially more artists with professional aspirations than our system can possibly absorb. Though more egalitarian than most gatekeeping systems, the photo portfolio review system enables entry to a few while feeding the hopes of the many — “American Idol” writ small, if you will. No harm done, I suppose, and it keeps them off the streets. […]

Alternate History: Robert Capa on D-Day (22)

I’m pleased and proud to announce that this ongoing investigative project, with its working title of “Alternate History: Robert Capa on D-Day,” has just received the 2014 Society of Professional Journalists Sigma Delta Chi (SDX) Award for Research About Journalism.

As its website indicates, “The Society of Professional Journalists, founded 1909, is a professional organization […]

Guest Post 15: J. Ross Baughman on the NPPA (b)

In the best kinds of journalism today, I always hope that a well-seasoned writer will help his subjects’ points of view to shine through it all. Unfortunately, in this latest exercise from the National Press Photographers Association, Bruce Young and Donald Winslow concentrated too much on their own preconceptions. […]