This article, the first in a series of columns written for the Village Voice between 1968 and 1973, appeared exactly 50 years ago, in the June 20, 1968 issue of that alt-weekly newspaper, which had already become the model for the emerging national and, indeed, international “alternative press.” With it I hung out my shingle as a photography critic, a rubric that I thereby inaugurated and under which flag I still sail. […]
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The constraint of time imposed by the self-imposed necessity of finishing the book on the same day makes it impossible to look too deeply into the images or second-guess my choices. I also have no time to bring anyone else into the selection or sequencing process. The first opportunity I have to study the details in the images is after I receive the first printed copy of the book in the mail. In every case I have been delighted by aspects of the images or coincidental relationships that I never observed at the time the exposures were made, nor even when I assembled the book. […] When I reviewed the images on the camera monitor, I found myself wanting to show other people the results of my solitary photo session. Then I had an idea. Why not try to use all the new technology to create and publish a book of these self-portraits that same day? What better way to demonstrate the capabilities of Internet-enabled digital print to the Xerox customers? […] Today, May 25, 2018, the European General Data Protection Regulation (GDPR) goes into effect. These stringent new regulations have been adopted by the European Union to protect the rights to privacy of its citizens — important rights that are valued by people across the globe. Photocritic International respects the privacy of its subscribers and visiting readers by complying with international regulations, including the GDPR. […] |
 SPJ Research Award 2014 |
Spring Fever: Ends and Odds 2018
Copyright law covers the actions and creations of humans, and only humans. Claim otherwise and all those cat videos become performance art, whose performers — like Maru the box lover, or Henri, the existential French cat — deserve not just special treatment for their cooperation but the lion’s share of the royalties they earn for product endorsements and such. […]