This minor event has evoked such hysteria and vituperation from the Adams marketing machine — which does not own the negatives in question or have any claim thereto — that this phenomenon in itself merits some examination. William Turnage, managing trustee of the Ansel Adams Publishing Rights Trust, actually compared the claims of Norsigian to the Nazi propaganda strategy of the “big lie.” “Hitler used that technique,” Turnage said. “You don’t tell a small one. You tell a big one.” It takes one deeply sick puppy to analogize Norsigian’s assertions of authenticity for these negatives to the despised Nazi propaganda technique. Turnage should feel ashamed of himself for this loathsome conduct, which embarrasses him and the Ansel Adams Trust as well. […]
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At the moment it seems that the attempt to find a permanent home for the remainder of the collection is sincere. One hopes that the success of the auction does not allow greed to start to creep into the thinking of the creditors, or Polaroid’s bankruptcy trustee, John Stoebner. Hopefully they will not be asking for too much in return. There is little chance that another sale of remaining works would generate a fraction of the excitement or prices that this sale did. Not only has the cream of the crop been removed, but as has been shown with numerous second sales of supposedly rare material — like the second de Prangey sale of early daguerreotypes — these sales more often than not fall flat and never live up to expectations. […] As some of the Adams murals were hung in corridors and the cafeteria, some had various marks (one could see small gouges on at least a couple of the murals in Sotheby’s preview) and Lyons remembers doing surface cleaning to remove food from some. But perhaps the most egregious damage was done when cutouts were made in some to make room for electric outlet boxes! At least Polaroid saved the cutout pieces and Lyons was able to replace them. I don’t know if any of those murals were among the ones offered in the sale, but it’s possible. […] It is my considered opinion that Sotheby’s, Singer, and trustee John Stoebner, who had threatened A. D. Coleman with a lawsuit, should instead be sending him a dozen, long-stemmed, red roses; a bottle of Charles Heidsieck 1995 Blanc des Millénaires champagne; and The Farmer’s Market Feast with a 56-piece Every Flavor Box, a 28-piece box of fruit squares, a 12-piece box of dipped apricots, and a 6-piece box of raspberry chocolates from John & Kira’s chocolates. For the very small and inconsequential price of removing a handful of lots from the sale, Sotheby’s gained publicity and notoriety for the auction far in excess of what they could have generated on their own. The idea of the scarcity of these objects and the vague hint that this may be a very fleeting opportunity to obtain them certainly ginned up the bidding enormously. […] |
 SPJ Research Award 2014 |
Cowflop from the Adams Herd (2)
I have none of the specialist skills necessary to contribute usefully to this investigation, nor any preferred outcome here. So I concern myself with the quality of the discourse from the two camps — and, for my money, Team Norsigian has so far proved itself measured, judicious, and open-handed, as opposed to the frothing apoplectic rage and deceitful doubletalk coming from the Adams herd. […]