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Planet of the Academics: An Interlude (1)

Now, even rigorous and thorough research is surely not as conventionally manly and ostentatiously testosterone-validating as wrangling your view camera plus related equipment up some mountain and making your mule your bitch after dinner by the campfire at the summit. So I can see how someone like Jeff Schneider can analogize a mere desk-bound scrivener like myself to “a spoiled, pubescent young girl,” “virgins in their tighty whities who like to throw stones from the safety of their firewalls,” and “a closeted homosexual evangelist.” . . . […]

Guest Post 7: Patrick Alt on the Norsigian/Adams Negatives

I was . . . retained not as a research historian. . ., but [for] my encyclopedic knowledge of cameras, lenses, and the more technical aspects of the plates. . . . As to the current status of my stance on the Norsigian plates, after hearing the opinion of my old friend John Sexton, who is convinced they are not by Ansel, I am now leaning toward that as well. I trust John’s integrity and his long history with Ansel and if it is good enough for John, I think I should follow his lead. […]

Who was J Dudley Johnston? (2)

Who was J Dudley Johnston, and why did this Royal Photographic Society award I received get named after him? Pam Roberts described him as “a link between photographers of all countries and all persuasions, a visionary and a man with a passion for research and for dissemination of information.” […]

Who was J Dudley Johnston? (1)

On September 9 I received the J Dudley Johnston Award for Writing about Photography, conferred on me by the Royal Photographic Society (U.K.) at its Annual Awards gala. I take particular pleasure in the fact that this comes as unsolicited peer recognition. . . . […]

Team Norsigian Accentuates the Negative (11)

Amping up the bogosity and racing headlong toward a “goes to 11” mindset, Team Norsigian has apparently decided to sidetrack itself by investing some of its seemingly boundless energies in discrediting the “Uncle” Earl Brooks Theory of provenance for the Norsigian negatives. (Bogosity: “the state or condition of being bogus.”) Toward that end, they’ve dug up an online source for a small trove of Brooks’s commercial work, 81 images in all, presently housed in the Hagley Digital Archives in Wilmington, Delaware. […]