I begin to see possibilities for multipurposing much of what I generate for this blog and for other outlets. Subscribers to Photocritic International and visitors to this blog can expect further multimedia offerings here, on a regular basis henceforth. In 2012 I intend to develop a line of ebooks, and to further energize all the sites that comprise Photo Education Online, the consortium to which Photocritic International belongs. […]
|
|
This year I found it necessary to fire a client, declining to undertake a second rewrite of a commissioned photo-book introduction. Both the editor and the photographer insisted that I refrain from discussing at any length the socially and politically charged subject matter of the pictures, demanding instead that I address the images purely in formalist terms, preferably by making comparisons to great painters of the past. […] The “citizen journalist” documentation of Lt. John Pike nonchalantly pepper-spraying seated protesters on the campus of the University of California-Davis on November 18 has gone viral not just in the west but in mainland China as well — with the blessings of the Chinese Communist Party. This raises the question of whether Pike is actually a covert operative for the CCP, deliberately overreacting to nonviolent protest in order to discredit the United States and strengthen the hands of totalitarian governments everywhere. […] The behavior of the administrators untimately responsible in this situation, no matter how reprehensible or questionable, did not manifest itself visually in a resonant way. Pike, lowest man on this totem pole, has outdone them all in that regard, rising overnight to global celebrity by becoming an internet meme, the instantly recognizable symbol of the callous, doughnut-heavy, authority-abusing white cop. The proliferation of Pike collages cheers me considerably, demonstrating as it does that the pillory — as a function that empowers the citizenry to mock and shame those who violate the social contract — endures. […] |
 SPJ Research Award 2014 |
Crises in the Photo Industry (1)
The tribulations of Kodak and Olympus impinge less directly and severely on the field of creative photography, where I concentrate my attention as a critic and journalist. Yet they too seem to signify the end of an era in which major-league companies identified so strongly with photography constituted an industry from which no one anticipated anything but ongoing strength and steady growth. […]