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Polaroid Collection: Update 25

At the request of court-appointed Trustee John R. Stoebner, charged with the task of recovering as much money as possible for the creditors of the collapsed Ponzi scheme created by the now-jailed Tom Petters, the Minnesota Bankruptcy Court has approved the transfer of the cluster of works known collectively known as the “Sotheby’s Assets” from Sotheby’s in New York City to Swann Auction Galleries in the same metropolis, for inclusion in a series of auctions, beginning with one coming up in April 2012. […]

Letters to an Emerging Critic (2)

What I can’t do in this blog is create the reputable, influential, multi-author, multi-subject periodical in which my writing on photography coexists with and gets contextualized by writings on different subjects from a flock of equally informed others, as it once did. That’s a publishing enterprise far beyond my scope, requiring pockets much deeper than mine and an editorial/managerial skill set I just don’t have. […]

CVS vs. Kiddie Porn

While the California authorities, and the mass media, celebrate the arrest and prosecution of a dangerous predator, let’s beware of any tendency to use this case to justify a skein of laws that have resulted in far more persecutions of innocent people than the capture of guilty ones. Meanwhile, this caution for photographers, amateur and professional alike: Do not use a processing lab anywhere in the U.S. to develop or print any images of children (your own or anyone’s else’s) naked, partially clothed, or clothed but striking poses that anyone might construe as sexually provocative. You’ve been warned. […]

George F. Will, the Street Photographer’s Friend

Perhaps I’m not alone in finding it surprising that a prominent right-wing spokesperson has come out in defense of creative photographers harassed by the police for making pictures in public places. Especially since the police excesses have happened in the name of fighting terrorism. Whether or not I have company, I consider it worth […]

Cleaning Out the Fridge

Let me add that I would not and will not castigate anyone for accepting this position [Chief Curator at the Center for Creative Photography]. The state of the economy aside, the CCP is a unique repository and a major institution in photography. Running it, whether as Director or Chief Curator, is a dirty and dangerous job, subject to the well-documented machinations of a cluster of verifiable weasels. But someone’s got to do it. […]