My own bit part in this transformation, via involvement in the touring exhibition “The Silent Strength of Liu Xia,” came to the foreground last Saturday, June 9, in Hong Kong. The show, for which I now serve as co-curator and tour manager, had its first-ever opening on Chinese soil: a featured role in the 2012 Annual Event of the Independent Chinese PEN Center (ICPC). […]
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You can attribute the paucity of posts here over the past two months to my concentration on initiating a new traveling exhibition project: “The Secret Strength of Liu Xia: Photographs 1996-1999.” Currently ending its 3-month run at the Italian Academy at Columbia University in New York City, it goes next to Hong Kong, thence to Taipei, after that to Madrid, and returns to the U.S. toward the end of this year. Its tour will continue (if I have my way) until Liu Xia and her husband are free. […] I begin to see possibilities for multipurposing much of what I generate for this blog and for other outlets. Subscribers to Photocritic International and visitors to this blog can expect further multimedia offerings here, on a regular basis henceforth. In 2012 I intend to develop a line of ebooks, and to further energize all the sites that comprise Photo Education Online, the consortium to which Photocritic International belongs. […] Let’s get this straight: Eastman Kodak didn’t get blindsided by the digital evolution. Its middle and upper management of the 1980s and ’90s — top-heavy with overfed, overpaid, overaged, complacent suits — actively turned a blind eye to it. […] |
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Slow Boat in China (2)
Unimaginable that — except as explicit satire — 100 writers and artists from the former Soviet Union would inscribe by hand today the loathesome principles set forth by Zhdanov and enforced thereafter by his goon squads. What a bizarre reaffirmation of a long-discarded set of prescriptions and proscriptions this book represents, then — a self-abasing modern version of the obligatory “loyalty dance” performed under his portrait as a morning ritual by all mainland Chinese citizens at the height of Mao’s cult of personality. […]