Nearby Café Home > Art & Photography > Photocritic International

Get new posts by email:

Alternate History: Robert Capa on D-Day (47)

With Operation Fortitude South in mind, should we consider the possibility that SHAEF’s system-within-a-system for retrieval of civilian press coverage of the D-Day invasion did not in fact fail, but instead operated exactly as it was intended to do? […]

Private Lives in Public Places (2)

How many of the images we see in the mass media, in textbooks, and in other vehicles, are such spurious, falsified “factoids?” Does anyone in the field consider the consequences to the subjects of such images generated by such misuse? And, on a larger scale, the consequences to the citizenry when its informational network is thus compromised and corrupted? […]

Private Lives in Public Places (1)

Photographs made of people on the street or in other public places without the consent of the subjects raise questions of ethics as well as aesthetics. What rights do we have as citizens over the control of representation of ourselves, and what rights do photographers have in regard to making images in public situations? […]

2020 Vision: Photojournalism’s Next Two Decades (2000), 3

By the end of the twentieth century, you and your classmates were reading about the disposition of this or that photographer’s life’s work. Some did it well, some did it badly, and some didn’t do it at all — so the stuff got tossed out, or damaged, or dispersed, or simply vanished into thin air. […]

2020 Vision: Photojournalism’s Next Two Decades (2000), 2

As a young 21st-century maker of informationally oriented imagery, you’re familiar with and knowledgeable about both print media and digital media. You can use analog cameras, perhaps even prefer them for some tasks, but increasingly your clients and your vehicles prefer digital systems. Therefore, much of your activity is digital from start to finish. […]