“Down Home” is not simply a set of images, but a more complexly structured work involving a lucid combination of words and images to present the texture of present-day life in a small Alabama town. […]
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“Down Home” is not simply a set of images, but a more complexly structured work involving a lucid combination of words and images to present the texture of present-day life in a small Alabama town. […] [Note, March 14, 2016: This post, originally published on March 13, contains the first serious error made in the course of this investigation to date: I mistook footage of the battle of Dieppe, August 19, 1942, for footage of D-Day almost two years later. Carelessness on my part, for which I offer no excuse, only […] It is now about 57 years since Bob admitted to me that he had “taken a swing” at the guy [John Morris], so I am really hazy about this. Bob never went into details and although this loss [of his D-Day film] was obviously an event he would never forget, his philosophy was that “Life is too short to hate anyone or bear a grudge.” […] [My late husband Bob Landry made no published] comment … about the Normandy invasion. He did tell me that his film had been lost through the incompetence of a guy in the London office who was supposed to make secure arrangements for its delivery to London. [This would have been John Morris, then assistant picture editor in LIFE’s London darkroom. — A. D. C.] […] |
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Ring In the New: 2016
I found watching the video slideshow of NASA’s chosen images for the 1977 Voyagers’ “golden records” a deeply surreal experience. The selection and sequencing strike me as curious, and, if I experience them that way, what would a sentient being with no knowledge of life on this blue marble make of them? […]