This makes the Capa portions of Landing on the Edge of Eternity a sorry display of little more than copying and pasting that masquerades as historical research and analysis. […]
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A bit further on (and, in a historian, this is unforgivable), Robert Kershaw actually changes Capa’s own words to conform Capa’s account to the misleading version concocted by Richard Whelan, Capa’s official biographer. … That’s not revisionist historianship; it’s corrupt historianship, inexcusable. […] Cynthia Young has a bad habit that’s fatal to credible scholarship: By dint of her position as the de facto world’s foremost Capa authority, she considers herself entitled to simply make up shit like this. […] On June 6, 2018, the aptly named website Artsy.net published “Photographer Robert Capa Risked It All to Capture D-Day — then Nearly All His Images Were Lost,” by Haley Weiss, under its “Visual Culture” rubric. It consists, in its entirety, of a rehash of the Capa D-Day myth, simply rewritten from one or more of the standard versions that our research project has thoroughly refuted. […] The intrusion of vendors directly into the editorial process under the guise of Day in the Life’s corporate sponsorship signaled the demise of one’s liberty to work outside the boundaries of pre-established, packaged formats, confining experimentation to techniques built into the equipment or provided by software. […] |
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