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George F. Will, the Street Photographer’s Friend

Perhaps I’m not alone in finding it surprising that a prominent right-wing spokesperson has come out in defense of creative photographers harassed by the police for making pictures in public places. Especially since the police excesses have happened in the name of fighting terrorism. Whether or not I have company, I consider it worth […]

Forumization and Its Malcontent (2)

I frankly don’t know how to respond to the question “What makes the opinion of a certain highly informed person more valid than that of someone who is not informed?” To paraphrase, what makes the opinion of someone who knows something about a subject more valid than that of someone who knows nothing about it? This query seems to conflate the belief that everyone’s entitled to an opinion (with which I agree) with the notion that all opinions carry equal weight (with which I certainly disagree). […]

Crises in the Photo Industry (1)

The tribulations of Kodak and Olympus impinge less directly and severely on the field of creative photography, where I concentrate my attention as a critic and journalist. Yet they too seem to signify the end of an era in which major-league companies identified so strongly with photography constituted an industry from which no one anticipated anything but ongoing strength and steady growth. […]

Lt. John Pike Goes Viral (5)

The “citizen journalist” documentation of Lt. John Pike nonchalantly pepper-spraying seated protesters on the campus of the University of California-Davis on November 18 has gone viral not just in the west but in mainland China as well — with the blessings of the Chinese Communist Party. This raises the question of whether Pike is actually a covert operative for the CCP, deliberately overreacting to nonviolent protest in order to discredit the United States and strengthen the hands of totalitarian governments everywhere. […]

Lt. John Pike Goes Viral (4)

The behavior of the administrators untimately responsible in this situation, no matter how reprehensible or questionable, did not manifest itself visually in a resonant way. Pike, lowest man on this totem pole, has outdone them all in that regard, rising overnight to global celebrity by becoming an internet meme, the instantly recognizable symbol of the callous, doughnut-heavy, authority-abusing white cop. The proliferation of Pike collages cheers me considerably, demonstrating as it does that the pillory — as a function that empowers the citizenry to mock and shame those who violate the social contract — endures. […]