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Lt. John Pike Goes Viral (7)

“Waddling like a cocksure duck,” as one commentator at the Dangerous Minds site put it, Pike with his blithe disregard for the multiple still and video cameras trained on him all but ensured that his actions, and his attitude in performing them, would go viral. What resulted was not only Pike’s transformation into a memetic icon but, much more importantly, an object lesson in the potency of citizen journalism as enabled by the internet. […]

Dog Day Afternoons: Bits & Pieces (1)

According to the Wall Street Journal, while Justin Bieber is risking life and limb to get away from paparazzi, and Alec Baldwin is punching them out, people with a bit of discretionary income to squander who want to feel like celebrities are hiring photographers to follow them around, surrendering their privacy in order to have a total stranger make pictures of their “special moments” for them. Romantic. […]

Slow Boat in China (3)

Because Liu Xia now lives under house arrest, incommunicado save for periodic visits with her mother, I can’t run any decisions past her, as I would automatically in organizing a show by a living artist. Thus I have to trust to my instincts, along with my sense of what I’d want others to do with my work if I were in her shoes. […]

Slow Boat in China (2)

Unimaginable that — except as explicit satire — 100 writers and artists from the former Soviet Union would inscribe by hand today the loathesome principles set forth by Zhdanov and enforced thereafter by his goon squads. What a bizarre reaffirmation of a long-discarded set of prescriptions and proscriptions this book represents, then — a self-abasing modern version of the obligatory “loyalty dance” performed under his portrait as a morning ritual by all mainland Chinese citizens at the height of Mao’s cult of personality. […]

Slow Boat in China (1)

My own bit part in this transformation, via involvement in the touring exhibition “The Silent Strength of Liu Xia,” came to the foreground last Saturday, June 9, in Hong Kong. The show, for which I now serve as co-curator and tour manager, had its first-ever opening on Chinese soil: a featured role in the 2012 Annual Event of the Independent Chinese PEN Center (ICPC). […]