I was . . . retained not as a research historian. . ., but [for] my encyclopedic knowledge of cameras, lenses, and the more technical aspects of the plates. . . . As to the current status of my stance on the Norsigian plates, after hearing the opinion of my old friend John Sexton, who is convinced they are not by Ansel, I am now leaning toward that as well. I trust John’s integrity and his long history with Ansel and if it is good enough for John, I think I should follow his lead. […]
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At the moment it seems that the attempt to find a permanent home for the remainder of the collection is sincere. One hopes that the success of the auction does not allow greed to start to creep into the thinking of the creditors, or Polaroid’s bankruptcy trustee, John Stoebner. Hopefully they will not be asking for too much in return. There is little chance that another sale of remaining works would generate a fraction of the excitement or prices that this sale did. Not only has the cream of the crop been removed, but as has been shown with numerous second sales of supposedly rare material — like the second de Prangey sale of early daguerreotypes — these sales more often than not fall flat and never live up to expectations. […] As some of the Adams murals were hung in corridors and the cafeteria, some had various marks (one could see small gouges on at least a couple of the murals in Sotheby’s preview) and Lyons remembers doing surface cleaning to remove food from some. But perhaps the most egregious damage was done when cutouts were made in some to make room for electric outlet boxes! At least Polaroid saved the cutout pieces and Lyons was able to replace them. I don’t know if any of those murals were among the ones offered in the sale, but it’s possible. […] It is my considered opinion that Sotheby’s, Singer, and trustee John Stoebner, who had threatened A. D. Coleman with a lawsuit, should instead be sending him a dozen, long-stemmed, red roses; a bottle of Charles Heidsieck 1995 Blanc des Millénaires champagne; and The Farmer’s Market Feast with a 56-piece Every Flavor Box, a 28-piece box of fruit squares, a 12-piece box of dipped apricots, and a 6-piece box of raspberry chocolates from John & Kira’s chocolates. For the very small and inconsequential price of removing a handful of lots from the sale, Sotheby’s gained publicity and notoriety for the auction far in excess of what they could have generated on their own. The idea of the scarcity of these objects and the vague hint that this may be a very fleeting opportunity to obtain them certainly ginned up the bidding enormously. […] |
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Guest Post 8: Bill Ewing on Polaroid at the Musée de l’Elysée
The collection was not put together in the standard way — by curators picking and choosing individual pieces. Photographers gave work in return for free materials, and gave what they felt like giving. It is, frankly, very uneven; there are some great pieces at one end of the spectrum, and some godawful ones at the other. Actually, the best individual works are often by lesser-known or even unknown photographers. The “name” photographers often are represented by lackluster work. […]