In the adult world where, since 1967, I’ve done my professional work as a critic and cultural journalist — a universe separate from yet parallel to that inhabited by bloggers like Ferdinand, and connected by unpredictable wormholes — you don’t get to publish a fabricated quote at your blog and then, when caught at it and called on it, apologize privately in an email. Concocting a fake quote constitutes a punishable offense; in my world, people lose their jobs over such unethical behavior. […]
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There is to me a curious tension in Shelby Lee Adams’s project between his commitment and feeling that he comes out of this place, he’s representing this place, he loves these people, etc. ― which I don’t doubt for a minute ― and the fact that the cumulative picture often shows me people who I really wouldn’t want to meet in a dark alley at night. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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