Tice’s pictures sometimes include people, but their visible presence in the flesh is rarely central to his vision, which instead investigates a largely depopulated urban and rural environment, a set of physical structures rather than social interactions. To the extent that he concerns himself with the past and present inhabitants of these locales, he addresses them through what they have built there and the marks they have left behind, not through the activities and behaviors of the present-day citizenry. In that sense, his motive is more archaeological than sociological. […]