People here in the United States pursue in growing numbers what I call the photo-erotic, by which I mean the specific act of putting erotic behaviors on the visual record, playing them out in front of a lensed instrument loaded with light-sensitive materials or digital sensors, registering on film or in pixels our erotic inclinations — not just for our private delectation but also for wide distribution. […]
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Today Photocritic International commemorates the 25th anniversary of the Tiananmen Square massacre in Beijing on June 4, 1989. […] While the California authorities, and the mass media, celebrate the arrest and prosecution of a dangerous predator, let’s beware of any tendency to use this case to justify a skein of laws that have resulted in far more persecutions of innocent people than the capture of guilty ones. Meanwhile, this caution for photographers, amateur and professional alike: Do not use a processing lab anywhere in the U.S. to develop or print any images of children (your own or anyone’s else’s) naked, partially clothed, or clothed but striking poses that anyone might construe as sexually provocative. You’ve been warned. […] Perhaps I’m not alone in finding it surprising that a prominent right-wing spokesperson has come out in defense of creative photographers harassed by the police for making pictures in public places. Especially since the police excesses have happened in the name of fighting terrorism. Whether or not I have company, I consider it worth […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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What Happened in Vegas (2)
What is striking about current work is its diversity of style and mood, its attention to the sensuous and tactile, and its insistence on encompassing not only a wide range of sexual behaviors but also a full spectrum of sexual moods. This collective accomplishment unquestionably denotes a raising of the bar for what David Steinberg calls “sexual photography” — an embrace of the true complexity of sex at the present-day intersection of sex and photography. […]