Exuding an exhaustive scholarliness and an air of academic authority, Neumüller’s textual apparatus thus becomes unstable on close inspection, at its worst incomplete, misleading, and factually inaccurate. … Parr and Butturini’s social media detractors, very limited in number and audience, never put forward a case to support their claims that Butturini’s London was a racist text. […]
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Herman Emmet’s models, I know, are Agee-Evans and W. Eugene Smith, among others. This work emerges from that lineage, extends the thrust of those seminal efforts, and deserves to stand in their company. But it certainly is not of interest exclusively to those concerned with serious photography, who may well prove to be only a small segment of its audience. […] The tradition of people’s history continues in the work of Eugene Richards who, by reviving a cold case of racial oppression, delivers an important perspective on how little and how much has changed in a half-century of struggle against the forces of dispossession. […] In my opinion, Eugene Richards stands out as the most important photojournalist of his generation. Often imitated, yet seldom surpassed, his work embodies the values he defends. In early 2019 Richards returned to the Delta where he reconnected with old acquaintances and met others willing to discuss the impact of the Civil Rights movement on their lives. […] |
 SPJ Research Award 2014 |
Cabin Fever: Bits & Pieces 2021 (1)
Astonishing to watch Q-Anon’s bizarre reprise of the Salem witch trials writ large (satanism, pedophilia, Bill and Hillary Clinton as ruler of the vast coven) combined with a lightly veiled version of a classic anti-Semitic trope, the blood libel of Democrats (for which read leftists, for which read Jews). To cite Richard Kirstel yet again, “Scratch a good American and you’ll find a good German.” […]