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What I took away from Thompson’s book “Six Seconds in Dallas” that nourished my budding inclination to start working as a photography critic was this: Close, patient attention to the particulars of lens-derived images would reward the viewer in unpredictable ways. […]
On November 21 of this year I happened across “November 22, 1963,” a short film by Errol Morris, which features an unlikely interviewee: a Navy Seal turned Kierkegaard scholar turned high-profile private investigator named Josiah “Tink” Thompson. Though I met him only once, almost 46 years ago, I recognized him immediately. […]
Can it be sheer coincidence that this standardization of thought and expression in both visual and verbal modes came out of the same environment? I think not. They emerged at almost exactly the same time, from within the same hothouse ― the international post-secondary art-education system. Their virtually simultaneous birth merely manifests that sheltered microcosm’s belated recognition of something the hardscrabble working class has known for millennia: bullshit makes effective and inexpensive fuel, and if everyone’s using it the smell soon goes unnoticed. […]
Most art-related press releases get written by people who aren’t just art-world wannabes but individuals who have never laid eyes on the work in question. That is, they’re exercises in “How to Write about Art You Haven’t Seen.” That’s because the publicity cycle in the art world runs on a three-month time lag. Let me explain. […]
It’s conceivable that any given postmodernist text you happen upon in print came from The Postmodernism Generator, a website that generates endless postmodern essays via an algorithm. Not that there’s anything wrong with that, as Seinfeld would say, since postmodern theory hypothesizes that no original ideas exist, only recycled ones. A recycling machine for the standardized locutions of postmodernist theory comes as a logical extension of that philosophical position. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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JFK, Tink Thompson, and “Six Seconds in Dallas” (2)
What I took away from Thompson’s book “Six Seconds in Dallas” that nourished my budding inclination to start working as a photography critic was this: Close, patient attention to the particulars of lens-derived images would reward the viewer in unpredictable ways. […]