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Guest Post 11: J. Ross Baughman on Robert Capa (a)

“Capa had a reputation as a great war photographer … and he was stuck with it,” says John G. Morris, the photo editor at LIFE magazine’s offices in London. Morris implies that Capa felt more than just excitement about D-Day, in fact a deep dread about his chances on Omaha Beach, a trap of his own making. […]

Happy Septaquintaquinquecentennial! (2)

Globally, there is now an enormous population of camera users, only a tiny fraction of which actually practices photography. The two functions, initially integral to each other, have been severed in what I can only suggest is the photographic equivalent of pre-frontal lobotomy. […]

Happy Septaquintaquinquecentennial! (1)

Photographers on every level, from the rankest amateur to the most experienced professional, are being offered something that’s coming to be known generically as “decision-free photography.” I’m surely not the only one who finds this phrase unnerving. Decision-free information? Decision-free perception? Decision-free self-expression? Decision-free communication? By their nature, these cannot be decision-free — at best, the decisions they involve can be deferred, left in the hands of others. […]

“Gremlyns of Light”: A Memoir

Photonic impaction, the problem with lenses created by the accumulation over time of stray photons, afflicts lens instruments other than cameras. While the problem is well-known among astronomers (related, perhaps, to the still-hypothetical photon belt), it does not occur ― save in rare cases ― in the field of microscopy. Simply put, lenses pointed up appear prone to impaction, while lenses pointed down generally do not. […]