{"id":1179,"date":"2013-03-13T22:27:42","date_gmt":"2013-03-14T02:27:42","guid":{"rendered":"http:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/?page_id=1179"},"modified":"2013-03-13T23:06:39","modified_gmt":"2013-03-14T03:06:39","slug":"skerrett-kathleen-roberts-english","status":"publish","type":"page","link":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/about-liu-xia\/skerrett-kathleen-roberts-english\/","title":{"rendered":"Skerrett, Kathleen R. (English)"},"content":{"rendered":"
\"Kathleen<\/a>

Kathleen Roberts Skerrett<\/p><\/div>\n

On the Photographs of Liu Xia <\/b><\/p>\n

Kathleen Roberts Skerrett,\u00a0Dean, School of Arts and Sciences, University of Richmond<\/em><\/p>\n

The photographs in this exhibition reverse engineer the process by which repressive force deprives a human being of her freedom. If the end of repressive force is to turn a human being into a thing, the end of Liu Xia\u2019s photographs is to turn small things into expressions of humanity at the limit of freedom.<\/p>\n

The photographer Liu Xia has described herself as apolitical. The introverted artist married Liu Xiaobo \u2014 co-author of Charter 08 that promotes democratic rights in China \u2014 so she could visit him in the reeducation camp where he was incarcerated. But after Liu Xiaobo won the Nobel Peace Prize in 2010, Liu Xia was placed under house arrest and constant surveillance. Her freedom is severely constricted hour by hour, day after day, month after month, without any foreseeable end \u2014 as is her husband\u2019s freedom and many of their colleagues.<\/p>\n

The ultimate reach of repressive force is, in any historical vector, to turn its object into a thing. But a human soul resists this process with horrible tenacity and anguish. Long after she might want to accept her fate, the soul goes on longing to recreate the world in which she could move and make and love. Such incurable longing is neither liberal nor romantic: It is the torment of slaves and prisoners anywhere.<\/p>\n

Therefore, there is something universally arresting in the inconsolable animation of the dolls in Liu Xia\u2019s black and white photographs. They are so simple and still, yet their expressions penetrate the viewer. The dolls are things \u2014 inexpensive and unbeautiful material objects \u2014 whose arrangement and expression nonetheless witness to damage and distress. None of us knows what it costs Liu Xia to capture in her negatives the soul\u2019s bitter protest against its reduction to a thing. To make such negatives does not arrest the artist\u2019s ongoing reduction or her anguish but the dolls tell the world in her photographs.<\/p>\n

In a pamphlet published in 1940 (under a pseudonym), the political philosopher Simone Weil wrote about the effects of force on a human being. She observed that, even in its desolation, the soul sometimes grasps moments of self-possession in which there only remains room for courage or love. Liu Xia\u2019s photographs bear the impress of such fugitive moments. These may be felt as the monotonous loneliness of missing another soul without any near purpose but to endure the psychic clamor of going on missing him. Thus, it has been suggested that Liu Xia\u2019s \u201cugly babies\u201d represent her dissident husband Liu Xiaobo.<\/p>\n

At the limit of freedom what stands between the soul and its reduction to a thing may be some inconsolable animation of the other within. Yet such animation is also neither liberal nor romantic: It is the inner tumult of democrats everywhere.<\/p>\n

We are honored to welcome Liu Xia\u2019s photographs to the University of Richmond.<\/p>\n

\u2022<\/p>\n

Kathleen Roberts Skerrett is the Dean of the School of Arts and Sciences, University of Richmond, Virginia. Prior to assuming that position, she served as\u00a0associate dean and professor of religious studies at Grinnell College, Iowa.\u00a0She had been a member of Grinnell\u2019s faculty since 1998, and became associate dean there in 2007. Skerrett\u00a0previously taught at McGill University in Montreal, after earning her Ph.D. in theology and the modern West from Harvard University in 1993.<\/p>\n

A native of Toronto, Canada,\u00a0Skerrett entered Mount Allison University, a premier Canadian undergraduate university, at age 16. After earning her bachelor\u2019s degree, she earned a law degree at Dalhousie University in Halifax, Nova Scotia, and passed the bar in Toronto. She returned to graduate school at Harvard to pursue the interdisciplinary studies that continue to motivate her work.<\/p>\n

Skerrett\u2019s scholarly research has focused on Christian tradition, contemporary religious thought and gender studies, and political theory. She has published more than a dozen scholarly articles and 30 conference papers on related topics. Skerrett is a frequently invited lecturer at institutions and organizations including the University of Chicago, New York University, King\u2019s College (Halifax, N.S.) and Atlantic School of Theology (Halifax, N.S.), among many others.<\/p>\n

Her awards include a Faith and Life Sabbatical Award from the Louisville Institute, an appointment as a visiting fellow at NYU\u2019s Center for Religion and the Media, and a Royal Bank Teaching Innovation Award. She was appointed by her Grinnell College colleagues as an Interdisciplinary Studies Fellow to further collaborative teaching and learning there.<\/p>\n

Skerrett\u00a0publishes regularly in her blog, The Contemporary Condition<\/em><\/a>. For a longer version of this essay, posted there, click on the preceding link.<\/p>\n

\u2022<\/p>\n

(This essay was written especially for the catalogue of\u00a0the 2013 Richmond, VA showing<\/a>\u00a0of the exhibition\u00a0\u201cThe Silent Strength of Liu Xia\u201d at\u00a0the Lora Robins Gallery of the University of Richmond Museums. Text copyright \u00a9 2013 by Kathleen Roberts\u00a0Skerrett. All rights reserved.)<\/address>\n","protected":false},"excerpt":{"rendered":"

Kathleen Roberts Skerrett<\/p>\n

On the Photographs of Liu Xia <\/p>\n

Kathleen Roberts Skerrett, Dean, School of Arts and Sciences, University of Richmond<\/p>\n

The photographs in this exhibition reverse engineer the process by which repressive force deprives a human being of her freedom. If the end of repressive force is to turn a human […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":12,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1179","page","type-page","status-publish","hentry","odd"],"_links":{"self":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/pages\/1179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/comments?post=1179"}],"version-history":[{"count":0,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/pages\/1179\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/www.nearbycafe.com\/artandphoto\/liuxiaphotos\/wp-json\/wp\/v2\/media?parent=1179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}