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The Pencil of Nature (1844-46)

by William Henry Fox Talbot

Part II (cont.): PLATE XI. COPY OF A LITHOGRAPHIC PRINT

About The Pencil of Nature
Part I.
Publisher's note, frontispiece, and title page.
Introductory Remarks.
Brief Historical Sketch of the Invention of the Art.
Plate I. Part of Queen's College, Oxford.
Plate II. View of the Boulevards at Paris.
Plate III. Articles of China.
Plate IV. Articles of Glass
Plate V. Bust of Patroclus.

Part II.
Plate VI. The Open Door
Plate VII. Leaf of a Plant
Plate VIII. A Scene in a Library
Plate IX. Fac-simile of an Old Printed Page
Plate X. The Haystack
Plate XI. Copy of a Lithographic Print
Plate XII. The Bridge of Orleans.
Part III.
Plate XIII. Queen's College, Oxford, Entrance Gateway
Plate XIV. The Ladder.
Plate XV. Lacock Abbey in Wiltshire.

Part IV.
Plate XVI. Cloisters of Lacock Abbey.
Plate XVII. Bust of Patroclus.
Plate XVIII. Gate of Christchurch
Part V.
Plate XIX. The Tower of Lacock Abbey
Plate XX. Lace
Plate XXI. The Martyr's Monument
Part VI.
Plate XXII. Westminster Abbey
Plate XXIII. Hagar in the Desert.
Plate XXIV. A Fruit Pice.



PLATE XI. COPY OF A LITHOGRAPHIC PRINT

WE have here the copy of a Parisian caricature, which is probably well known to many of my readers.

All kinds of engravings may be copied by photographic means; and this application of the art is a very important one, not only as producing in general nearly fac-simile copies, but because it enables us at pleasure to alter the scale, and to make the copies as much larger or smaller than the originals as we may desire.

The old method of altering the size of a design by means of a pantagraph or some similar contrivance, was very tedious, and must have required the instrument to be well constructed and kept in very excellent order: whereas the photographic copies become larger or smaller, merely by placing the originals nearer to or farther from the Camera.

The presentation plate is an example of this useful application of the art, being a copy greatly diminished in size, yet preserving all the proportions of the original.

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